Celluloid Frontiers: A Missing Can of Film and Stop Genocide

  • Naeem Mohaiemen: A Missing Can of Film, 2025

  • Zahir Raihan: Stop Genocide, 1971

  • Naeem Mohaiemen: A Missing Can of Film, 2025

  • Naeem Mohaiemen: A Missing Can of Film, 2025

Celluloid Frontiers: A Missing Can of Film and Stop Genocide

Co-sponsored by the Institute for South Asia Studies, UC Berkeley and the Chowdhury Center for Bangladesh Studies, UC Berkeley, and the South Asia Art Initiative at UC Berkeley.

In Conversation

  • Tausif Noor is Assistant Curator at BAMPFA.

In conjunction with the exhibition Private Frontiers, BAMPFA presents Naeem Mohaiemen’s A Missing Can of Film (2025). Commissioned by EVA Ireland International and the Kochi-Muziris Biennale, the film traces the lost-left politics buried within Zahir Raihan’s Stop Genocide (1971)—a film edited in the style of Soviet Realism and Third Cinema during the 1971 Bangladesh Liberation War. Raihan, a novelist and director, was abducted only forty-five days after the end of the war. A Missing Can of Film combines scenes from Stop Genocide with footage shot at the Bangladesh Film Development Corporation after the nation’s 2024 July Student “Monsoon” Uprising, interrogating the film canister as a vessel of contested history.

Films in this Screening

A Missing Can of Film

Naeem Mohaiemen, Bangladesh, Ireland, India, 2025

FILM DETAILS

Print Info

  • Color
  • Digital
  • 45 mins
source
  • Naeem Mohaiemen

Stop Genocide

Zahir Raihan, Bangladesh, 1971

FILM DETAILS

Print Info

  • B&W
  • Digital
  • 20 mins
source
  • Topu Raihan and the Zahir Raihan Family

Event Accessibility

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