• Marta Mateus: Barbs, Wastelands, 2017

  • João César Monteiro: Sophia de Mello Breyner Andresen, 1969

  • António Reis: Jaime, 1974

Marta Mateus: Poetry, Portraiture, and Place

In Conversation

  • Iggy Cortez is an Assistant Professor in the Department of Film & Media at UC Berkeley.

Marta Mateus’s first film is a cinematic expression of the power of traditional storytelling—the “legends, songs and stories of the Alentejo . . . known and said by heart” she heard as a child. Made with children and workers from the region, Barbs, Wastelands reflects the struggle for agrarian reform. It screens with the first film of João César Monteiro, a portrait of the poet Sophia de Mello Breyner Andresen. Filmed with her children in Portugal’s sunny Algarve, it has the spontaneous quality of a home movie. António Reis’s documentary Jaime tells the story of Jaime Fernandes, who became an artist after being admitted to a mental institution. Discussing the film, Reis told Monteiro in an interview, “I’d be happy if the film was considered just as a pure work of film archeology, since most of his work has disappeared.” 

—Kate MacKay

Films in this Screening

Sophia de Mello Breyner Andresen

João César Monteiro, Portugal, 1969

FILM DETAILS 
Cinematographer
  • Abel Escoto
Language
  • Portuguese
  • with English subtitles
Print Info
  • B&W
  • DCP
  • 17 mins
source
  • Cinema Guild

Jaime

António Reis, Portugal, 1974

FILM DETAILS 
Screenwriter
  • António Reis
  • Margarida Cordeiro
Cinematographer
  • Acácio de Almeida
Language
  • Portuguese
  • with English subtitles
Print Info
  • Color
  • DCP
  • 37 mins
source
  • Cinemateca Portuguesa

Barbs, Wastelands

Marta Mateus, Portugal, 2017

FEATURING
Maria Clara Madeira
Gonçalo Prudêncio
Maria Catarina Sapata
José Codices

FILM DETAILS 
Screenwriter
  • Marta Mateus
Cinematographer
  • Hugo Azevedo
Language
  • Portuguese
  • with English subtitles
Print Info
  • Color
  • DCP
  • 25 mins
source
  • Marta Mateus

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