Early Monthly Segments, filmed when Robert Beavers was eighteen and nineteen years old, is a stylized work of self-portraiture, depicting the filmmaker and his companion Gregory J. Markopoulos in their Swiss lodgings. “Winged Dialogue details with growing clarity the desperate beauty and sexuality of the body animated by its soul” (Tom Chomont). “In Plan of Brussels, Beavers filmed himself in a hotel room . . . while in rapid rhythmic cutting, and sometimes in superimposition, the phantasmagoria of people he met in Brussels and images from the streets flood his mind” (P. Adams Sitney). “The Count of Days is not an account so much as an accounting of the days in which three separate persons are related at points” (Tom Chomont).