BAMPFA presents a six-film retrospective of the work of the award-winning Cambodian French filmmaker Rithy Panh. This series dives deep into Panh’s oeuvre to showcase his strikingly brilliant essay films, which blend personal history, archival footage, and even dioramas and animation to investigate national history, cultural memory, and the human capacity to both inflict atrocity and survive it.
Read full descriptionRithy Panh’s debut narrative feature, finished only a few years after Cambodia’s decade-long post–Khmer Rouge civil war, was the country’s first-ever submission to the foreign-language category at the Oscars.
Rithy Panh’s revelatory look at his childhood experiences surviving the Khmer Rouge won the 2013 Un Certain Regard prize at the Cannes Film Festival. Clay figures, archival footage, and spoken words weave a stunningly vivid picture of the filmmaker’s and Cambodia’s past.
Three French journalists visit Cambodia in 1978 and discover the deadly gap between what is shown, what is hidden, and what they are “permitted” to document. “A hauntingly timeless depiction of power and its mechanisms” (Variety).
Cambodia’s once-grand, now-abandoned former National Theatre is the site of Rithy Panh’s spellbinding investigation of how to rebuild one’s country when culture is nearly forgotten and capitalism all-powerful. Chosen for the 2005 Cannes Film Festival.
Set in 1992, after two decades of war finally ended in Cambodia, this atmospheric urban noir/doomed romance follows a demobilized soldier and a dance-hall girl as they drift through a Phnom Penh of neon and dust, still haunted by death.
A dystopian, Animal Farm–like world created out of clay figurines provides an ingenious backdrop to Rithy Panh’s intellectually barnstorming look at twentieth-century brutality. History lesson, archival footage masterclass, folk-art animation, and science fiction narrative in one, inspired by Chris Marker, Dziga Vertov, Umberto Eco, Mao, 2001, and more.