With the federal government slashing staff and reneging on promised funding to local governments and grant-supported institutions, this series spotlights the labor of public employees through seven decades of documentary films from Frederick Wiseman, “an artist of extraordinary vision” (Mark Binelli, New York Times).
Read full descriptionFrederick Wiseman’s study of process, policy, and public service in Boston’s city government is a “typically sprawling, inquisitive and inclusive anatomy of the city’s inner workings . . . both sober and inspiring” (Guy Lodge, Variety).
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Frederick Wiseman’s first color documentary is a study of conspicuous Christmastime consumption at the Neiman Marcus flagship location and corporate headquarters in Dallas.
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Frederick Wiseman filmed Central Park during a period of revitalization of the revered public institution. “Maybe his greatest work . . . a microcosm of how a city as huge and diverse as this manages to function” (Matt Prigge, Village Voice).
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Frederick Wiseman’s ongoing study of bureaucracy takes on epic proportions in Welfare, giving subtle structure to the chaos of stories in a New York City welfare center. “Wiseman’s probing, empathetic closeups reflect the clamor and the complexity of the city at large” (Richard Brody, New Yorker).
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In the Alabama Institute for the Deaf and Blind, Frederick Wiseman found both rich subject matter and an opportunity to provide deeper, reflexive consideration of the use of image and sound in his process. “A deeply moving experience—one containing more joy than heartbreak” (Terry Atkinson, Los Angeles Times).
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Model captures the inner workings of Zoli, a New York fashion modeling agency, and the labor of the statuesque men and women represented there.
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Capturing a pivotal moment in the history of animal agriculture, Meat tracks the transformation of animals into consumer commodities through a revolutionary, scalable assembly-line process that dramatically increased the world’s appetite for beef.
Frederick Wiseman’s documentary provides welcome confirmation of the survival of intelligent life in discouraging times, following the work behind and beyond the books at the New York Public Library.
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Frederick Wiseman’s third film chronicles the wide variety of duties performed by the Kansas City Police Department, for better or worse. “Law and Order speaks volumes about America both then and now” (Jordan Mintzer, Hollywood Reporter).
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Frederick Wiseman tracks the day-to-day routines of the recruits and officers who are trained to arm, target, and launch nuclear warheads. Missile “presents quiet horrors and ironies galore” (Terry Atkinson, Los Angeles Times).
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In State Legislature, the members of the Idaho State Legislature are forced to legislate—or, at least, debate—in the face of a rapidly changing world. “This is democracy in action from the ground up, wholly unheroic and absolutely mesmerizing” (Manohla Dargis, New York Times).
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Juvenile Court finds troubled youth and their families confronted by the American justice system in Memphis, Tennessee. It is Frederick Wiseman’s first film to eclipse a two-hour run time, “but its cumulative impact is so powerful that it seems less than half that long” (Image).