A selection of some of the greatest noir films from France, where the expression film noir was originally coined. Featured guest speakers include film historian David Thomson and Berkeley-based Laura Truffaut, the eldest daughter of François Truffaut.
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“The cinematic birth of the cool, Jean-Pierre Melville’s drollest, most likable gangster movie. . . . Exceedingly light on its feet” (J. Hoberman, Village Voice).
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Louis Malle’s first feature is an elegant thriller featuring an iconic performance by Jeanne Moreau and a celebrated Miles Davis jazz score. This is a consistently engaging, atmospheric noir.
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Jean Seberg and Jean-Paul Belmondo star in the jazzy genre pastiche that launched Jean-Luc Godard’s career and embodied the breathless bravado of the French New Wave.
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Made just before the outbreak of World War II, Jean Renoir’s masterpiece turns a country-house gathering into a tragicomic study of polite society on the brink of collapse.
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Serge Reggiani suspects Jean-Paul Belmondo of being a stool pigeon in Jean-Pierre Melville’s most influential film, a roundabout of ambiguity and betrayal.
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“An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology” (Janus Films).
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Alain Delon and Yves Montand star in Jean-Pierre Melville’s “dazzling epic of love, guns, gangsters, and cigarettes” (Los Angeles Times), shown here in the uncut European version.
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Four burglars pull off an ingenious robbery of a Parisian jewelry store, only to have their professionalism undone by their desires and personal ties, in this definitive heist movie. “The best film noir I’ve ever seen” (François Truffaut).
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Jean Gabin gives one of his greatest performances in this Marcel Carné/Jacques Prévert collaboration, “perhaps the finest of the French poetic melodramas” (Pauline Kael).
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David Thomson discusses his latest publication, A Sudden Flicker of Light, and presents Jean-Luc Godard’s audacious take on the lovers-on-the-run genre, Pierrot le fou, featuring Jean-Paul Belmondo and Anna Karina.
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This is a melancholy poem of life and death in the lower depths of Le Havre. “Epochal . . . the definitive example of the style known as poetic realism” (Lucy Sante, The Current).
This razor-sharp homage to the American gangster film is pure Nouvelle Vague. François Truffaut’s frolicsome yet faithful genre pastiche relates the adventures of a mild-mannered piano player.
This is François Truffaut’s go-for-broke romantic melodrama, in which Jean-Paul Belmondo gives up everything for the love of his mail-order bride, a beautiful, two-timing, possibly murderous jade played by Catherine Deneuve.
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In this classic noir dealing with the effect on a small town of an outbreak of poison pen letters, director Henri-Georges Clouzot conducts a study of group psychology in a mood of all-embracing suspicion.
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Julien Duvivier’s long-unseen Georges Simenon adaptation, starring Michel Simon and Viviane Romance, is an “allegory of wartime collaborationism and the cruel madness of rumor, fear and spite.”
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Bertrand Tavernier’s debut feature is an expertly crafted adaptation of a Georges Simenon novel. “An extraordinary film” (Roger Ebert).
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A group of convicts attempts an escape in Jacques Becker’s last film, one of the great prison break movies and, for Jean-Pierre Melville, “the greatest French film of all time.”
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Georges Lautner’s 1962 film noir is a true discovery. It focuses on Grégoire Duval, a respected member of society who becomes involved as a juror in a landmark case.
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“The cinematic birth of the cool, Jean-Pierre Melville’s drollest, most likable gangster movie. . . . Exceedingly light on its feet” (J. Hoberman, Village Voice).
René Clément’s adaptation is a dazzling sea blue film noir starring Alain Delon as an idle, lethal young American in Europe.
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Louis Malle’s first feature is an elegant thriller featuring an iconic performance by Jeanne Moreau and a celebrated Miles Davis jazz score. This is a consistently engaging, atmospheric noir.