Gunvor Nelson (1931–2025) was an acclaimed Swedish experimental filmmaker who was based in the Bay Area for nearly four decades. Nelson made personal films that explored her own life and experiences. John Sundholm of Stockholm University will speak about Nelson’s life and work, giving context to these special films.
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Gunvor Nelson’s My Name Is Oona, a hypnotic portrait of the artist’s daughter and an essential classic of experimental cinema, screens with Schmeerguntz, a touchstone of feminist cinema, and Frame Line and Light Years, made in Sweden.
A program featuring completed films by Gunvor Nelson that were never released. These copies were part of Nelson’s personal film collection, given to the Swedish Film Institute. John Sundholm of Stockholm University will speak about Nelson’s life and work, giving context to these special films.
Gunvor Nelson’s interest in familial relations is central to Red Shift and Time Being. In her collaboration with Dorothy Wiley, Before Need Redressed, they consider the passage of time and how reflection can alter the shape of a film.