Join us for a rare visit by celebrated Iranian filmmaker and screenwriter Rakhshan Banietemad, who will be in person April 22–23 to speak about her work in both documentary and feature filmmaking. Also screening are three classic films made by filmmakers associated with the Iranian New Wave.
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Legendary filmmaker Dariush Mehrjui (The Cow) sets Georg Büchner’s notorious 1836 play Woyzeck in modern Iran. “Resembles in its ferocity nothing less than Chaplin or De Sica” (Amos Vogel).
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Also screens on Sunday, March 15 (with an introduction by Deniz Göktürk).
A Turkish guest worker makes his way through a frigid Germany in this moving glimpse at exile, solitude, and migration. Director Sohrab Shahid Saless, a key figure in the early Iranian New Wave, lived in exile in Germany.
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Also screens on Wednesday, March 11 (with an introduction by Minoo Moallem).
A Turkish guest worker makes his way through a frigid Germany in this moving glimpse at exile, solitude, and migration. Director Sohrab Shahid Saless, a key figure in the early Iranian New Wave, lived in exile in Germany.
4K Digital Restoration
Legendary filmmaker Dariush Mehrjui (The Cow) sets Georg Büchner’s notorious 1836 play Woyzeck in modern Iran. “Resembles in its ferocity nothing less than Chaplin or De Sica” (Amos Vogel).
4K Digital Restoration
A young war orphan along the Iran/Iraq border somehow escapes to northern Iran in this powerful work, cited in a 1999 Iranian critics poll as the greatest Iranian film of all time. Admirers include Amir Naderi and Jafar Panahi.
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A young war orphan along the Iran/Iraq border somehow escapes to northern Iran in this powerful work, cited in a 1999 Iranian critics poll as the greatest Iranian film of all time. Admirers include Amir Naderi and Jafar Panahi.
This program features two documentaries that focus on the environment and the power of women to change society: All My Trees, a portrait of the founder of Iran’s first environmental NGO by Iran’s greatest female filmmaker, and Mother of the Earth.
“The First Lady of Iranian cinema” (Film Comment) uses a working-class Tehran family’s lives as a window into the struggles and strangled hopes of an entire nation.
An “ordinary” Iranian mother leads her children through two separate wars, across two separate decades, in this alternatively tender and provocative showcase of the human cost of war.