Laura Truffaut on François Truffaut

January 17–February 28, 2026

From his debut feature, The 400 Blows, to his final film, Confidentially Yours, this series allows us to learn about French filmmaker François Truffaut (1932–1984) through the eyes of his daughter, Laura Truffaut, who will introduce and lead post-screening discussions.

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  • François Truffaut: Day for Night, 1973

  • François Truffaut: Jules and Jim, 1962

  • François Truffaut: The 400 Blows, 1959

  • François Truffaut: Confidentially Yours, 1983

  • François Truffaut: Small Change, 1976

  • Upcoming
    Films
  • Past
    Films
  • Past
    Events

Upcoming Films

  • The 400 Blows

    François Truffaut
    France, 1959
    Saturday, January 17, 6:30 PM
    Introduction and Post-Screening Discussion with Laura Truffaut

    Jean-Pierre Léaud plays François Truffaut’s alter ego, Antoine Doinel, in the quintessential coming-of-age film, a lyrical but unsentimental portrait of adolescence and of Paris.

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  • Stolen Kisses

    François Truffaut
    France, 1968
    Thursday, January 22, 7 PM
    Introduction and Post-Screening Discussion with Laura Truffaut

    Jean-Pierre Léaud as François Truffaut’s quintessential dreamer Antoine Doinel, flitting through 1968 Paris in search of love and livelihood. With short Antoine and Colette.

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  • Jules and Jim

    François Truffaut
    France, 1962
    Sunday, January 25, 3:30 PM
    Introduction and Post-Screening Discussion with Laura Truffaut; Moderated by Aner Preminger

    François Truffaut’s portrayal of an early twentieth-century love triangle with Jeanne Moreau at its apex is “full of wit and radiance” (Pauline Kael). 

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  • The Soft Skin

    François Truffaut
    France, 1964
    Thursday, January 29, 7 PM
    Introduction and Post-Screening Discussion with Laura Truffaut

    A mild-mannered, middle-aged married academic juggles his modern literature lectures with afternoon trysts with a stewardess in François Truffaut’s elegant, oft-overlooked critique of the philandering class, made with a Hitchcockian lightness of touch and pace. An “astute dissection of middle-class mores” (BFI).

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  • The Wild Child

    François Truffaut
    France, 1970
    Saturday, February 7, 4:15 PM
    Introduction and Post-Screening Discussion with Laura Truffaut; Moderated by Aner Preminger

    This fact-based tale of a “wolf boy” and the teacher who sets out to tame him is François Truffaut’s “most thoughtful statement on his favorite subject: the way young people grow up, explore themselves, and attempt to function creatively in the world” (Roger Ebert). 

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  • Two English Girls

    François Truffaut
    France, 1971
    Thursday, February 12, 7 PM
    Introduction and Post-Screening Discussion with Laura Truffaut; Moderated by Aner Preminger

    Aided by the marvelous, impressionist-styled images of cinematographer Nestor Almendros and a swooning score by Georges Delerue, François Truffaut transforms his second adaptation of a novel by Henri-Pierre Roché (author of Jules and Jim) into an overwhelming sensory experience.

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  • Day for Night

    François Truffaut
    France, 1973

    Imported 35mm Print

    Friday, February 20, 7 PM
    Introduction and Post-Screening Discussion with Laura Truffaut; Moderated by Aner Preminger

    Jean-Pierre Léaud joins an ensemble cast for a behind-the-scenes romantic comedy in which the love interest is cinema itself. Day for Night is buoyed by robust performances and a sparkling score by the legendary Georges Delerue.

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  • Small Change

    François Truffaut
    France, 1976
    Sunday, February 22, 4 PM
    Introduction and Post-Screening Discussion with Laura Truffaut; Moderated by Aner Preminger

    François Truffaut’s tribute to the resilience of children in the face of difficulties is one of cinema’s most moving, comedic looks at childhood. “Turns out to be that rarity—a poetic comedy that’s really funny” (Pauline Kael).

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  • Confidentially Yours

    François Truffaut
    France, 1983
    Saturday, February 28, 7 PM
    Introduction and Post-Screening Discussion with Laura Truffaut

    François Truffaut’s graceful last film pays tribute to screwball comedies, film noir, and the stylish thrillers of Alfred Hitchcock as it follows a real-estate agent and his secretary, who are thrown together to investigate a series of small-town murders. “A valentine disguised as a noir” (TCM).

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Past Films