In conjunction with the acclaimed director’s residency at UC Berkeley, BAMPFA presents Lucrecia Martel: Un destino común, a retrospective of her films, including short films rarely seen on the big screen and her 2025 documentary, Our Land/Nuestra Tierra.
Read full descriptionTwo extended families suffer through a heat wave in Martel’s award-winning portrayal of social inertia, class, and racial dynamics. “Every shot is dense with life, yet the movie is highly focused, a small masterpiece” (Meredith Brody, Chicago Reader).
An adolescent girl tries to save a man from sin in Lucrecia Martel’s hallucinatory look at religious devotion, sexual awakening, Lolita obsessions, and Catholic repressions in small-town Argentina. “A film that defies categorization, but I’m tempted to call it a miracle” (A. O. Scott, New York Times).
“This film chronicles Argentina’s strategies to deny the Chuschagasta Community their territory. Drawing from the 2018 trial of Javier Chocobar’s assassins (2009), community conversations, and their photo archives, we reconstructed the community’s journey from the 17th century to today” (Lucrecia Martel).
A compelling hybrid documentary filmed in a Mbyá-Guaraní community on the border of Brazil and Argentina deals with the local story of a man who transformed into a jaguar.
An impressive array of Lucrecia Martel’s short films, including a commissioned work by the fashion house Miu Miu and her 2022 short Maid.
A woman involved in a potentially tragic hit-and-run accident tries to ignore what happened in Lucrecia Martel’s disorienting, critically acclaimed suspense thriller. “If Hitchcock and Antonioni ever had an interest in class guilt, you’d have Martel” (Wesley Morris).
Lucrecia Martel’s 2017 feature is a glimpse into the colonial abyss, adapted from a famed Argentine novel about a Spanish officer in a remote proto-Paraguayan outpost. “Perplexing and thrilling in equal measure” (Variety).