Organized with the support of the UC Berkeley Center for the Science of Psychedelics, this kaleidoscopic array of movies explores expanded or enhanced consciousness, psychedelic experiences, and the means of getting there.
Read full descriptionThis is a multifaceted portrait of John Lilly, the revolutionary scientist and psychonaut whose quest to understand the mysteries of the mind—via dolphins, isolation tanks, LSD, and more—is woven into the culture and counterculture of the twentieth century.
A scientist tries to connect with the unadulterated, prehistoric root of human consciousness via psychotropic drugs and a tricked-out isolation tank. Preceded by Jerry Pantzer’s Primordium (1968).
New 35mm Archival Print
From a screenplay by Jack Nicholson, with psychedelic montages by Dennis Jakob, The Trip features Peter Fonda as a television commercial director who tries LSD to make sense of his life. With The Psychedelic Experience.
Karamakate, an Amazonian shaman and the last of his people, assists two scientists, forty years apart, in their quest to find the elusive psychedelic yakruna plant. “A lament for all the lost plants and peoples of the world” (Jessica Kiang, The Playlist).
With performances by the glamorous guests of a 1953 Hollywood “come as your madness” party, Kenneth Anger’s film is a trippy ritualistic bacchanal. With Steven Arnold’s delirious vision of consciousness unbounded by gender or desire, featuring The Cockettes.
The film 2001 employs a widescreen, epic format for metaphysical use. It was conceived less as a science fiction narrative than as an experience in space and time, re-creating the dimensions of outer space by taking us beyond deep focus into infinite focus. With Jordan Belson’s Allures.
Christine Turner’s portrait of an artist as a cultural astronaut, boldly going where no one has gone before or since, explores the lasting legacy of Sun Ra’s mind-blowing music and philosophy.
Inspired by Sun Ra’s 1971 UC Berkeley course The Black Man in the Cosmosand filmed around the Bay Area, Space Is the Place “takes to heart Sun Ra’s cosmic philosophy of music as a liberating force” (Steve Seid).
Also screens on Sunday, May 10 (without an introduction).
One man’s trip toward enlightened consciousness, The Holy Mountain’s deeply sacrilegious and antimilitaristic imagery remains as beautiful and intriguing today as when it first scandalized audiences at the Cannes Film Festival in 1973. With Bruce Conner’s Looking for Mushrooms.
Nathaniel Dorsky reveals a world alive with the organic deterioration of film itself, in outdated, unexposed, processed 16mm film stock, the essence of cinema in its before-image, preconceptual purity. Bruce Baillie explores cinema and consciousness in the episodic self-portrait Quick Billy.
Richard Linklater’s woozy rotoscoped adaptation of Philip K. Dick’s novel is a cop story infused with metaphysical questions about addiction, the nature of the mind and the self, and their destruction, embedded in a corporate surveillance thriller. With Coffee (1977) by Dorothy Wiley.
Annie MacDonell and Maïder Fortuné bring a feminist perspective to the consideration of consciousness-expanding practices through drugs and/or art, work, and life. With works by Lillian Schwartz, Ben Russell, and Gunvor Nelson.
“A nonfiction work of sensory immersion that’s part anthropology, part poetry” (Hollywood Reporter), the stunning Faya dayi explores the khat trade that dominates rural Ethiopia, circling between youths with little hope and their elders, who are dependent on the dream state the leaf creates.
Set in Colombia and starring Tilda Swinton, Apichatpong Weerasethakul’s first feature film made outside of Thailand explores the blurred boundaries between the natural world and the spirit realm, and the way that collective traumas reemerge as memories and dreams.
Also screens on Wednesday, March 25 (with an introduction by Jen Holmberg).
One man’s trip toward enlightened consciousness, The Holy Mountain’s deeply sacrilegious and antimilitaristic imagery remains as beautiful and intriguing today as when it first scandalized audiences at the Cannes Film Festival in 1973. With Bruce Conner’s Looking for Mushrooms.