Robert Beavers: Filmmaker in Residence

January 30–February 7, 2026

Filmmaker Robert Beavers joins us for a complete retrospective of his films, including his eighteen-film cycle, My Hand Outstretched to the Winged Distance and Sightless Measure (1967–2002), plus the seven films he has released since 2007. His meticulously crafted films have a remarkable lyricism and exquisite beauty.

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  • Robert Beavers: Early Monthly Segments, 1968–70/2002

  • Robert Beavers: The Ground, 1993-2001

  • Robert Beavers: The Sparrow Dream, 2022

  • Robert Beavers: Sotiros, 1976–78/96

  • Robert Beavers: Ruskin, 1975/97

  • Upcoming
    Films
  • Past
    Films
  • Past
    Events

Upcoming Films

  • Robert Beavers: Program 1

    Friday, January 30, 7 PM
    Robert Beavers and Rebekah Rutkoff in Conversation

    The first four films in Robert Beavers’s extraordinary cycle encompass elements of self-portraiture, eroticism, and charged allusion, including Early Monthly Segments and Winged Dialogue, filmed when Beavers was eighteen and nineteen years old, which depict the filmmaker and his companion Gregory J. Markopoulos.

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  • Robert Beavers: Program 2

    Saturday, January 31, 2 PM
    Robert Beavers and Rebekah Rutkoff in Conversation

    Three films from Robert Beavers’s eighteen-film cycle, originally filmed in 1970 and remastered in 2001.

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  • Robert Beavers: Program 3

    Saturday, January 31, 4:30 PM
    Robert Beavers and Christopher Scott in Conversation

    In these two nuanced and structurally self-reflexive works, From the Notebook of . . . and The Painting, Robert Beavers contemplates the world around him and reflects on the nature and processes of art.

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  • Robert Beavers: Program 4

    Sunday, February 1, 3:30 PM
    Robert Beavers and Erik Ulman in Conversation

    These three films from Robert Beavers’s film cycle create connections between varied times and places, and between old-world artisanal practices and the craft of filmmaking.

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  • Robert Beavers: Program 5

    Thursday, February 5, 7 PM
    Robert Beavers and Ken Ueno in Conversation

    Sotiros incorporates narrative film devices such as intertitle cards into a metaphorical dialogue between two male lovers. In Efpsychi we hear a word spoken, teleftea, meaning the last (one). Wingseed draws comparisons between the pastoral beauty of a Greek hillside and that of the male form.

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  • Mosse Lecture: Robert Beavers

    Free Admission

    Friday, February 6, 3:30 PM
    Robert Beavers and Deniz Göktürk in Conversation

    The Berlin-based filmmaker will present Diminished Frame and The Sparrow Dream and discuss the relationship of history, memory, and place in his films.

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  • Robert Beavers: Program 6

    Friday, February 6, 7 PM
    Robert Beavers and Susan Oxtoby in Conversation

    The final three works in Robert Beavers’s film cycle—The Hedge Theater, The Stoas, and The Ground—offer images of ineffable beauty, unspoken eloquence, and an expression of devotional love.

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  • Robert Beavers: Program 7

    Saturday, February 7, 7 PM
    Robert Beavers and Susan Oxtoby in Conversation

    Robert Beavers’s seven works made after his film cycle demonstrate his continued interest in the poetic form and emotions linked to a sense of home or place, including his delicate portrait of his mother, Pitcher of Colored Light, and the graceful The Suppliant.

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Past Films