The Signature Cinema of Roy Andersson

September 6–October 19, 2025

“A slapstick Ingmar Bergman” is how the Village Voice described Swedish director Roy Andersson, while the Washington Post name-dropped Jacques Tati, Monty Python, and even Andrei Tarkovsky to sum up an aesthetic that combines formal rigor with anticapitalist critiques, bizarre human caricatures, and sight gags. This series includes all six of his feature films, along with short films and commercials.

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  • Roy Andersson: A Pigeon Sat on a Branch Reflecting on Existence, 2014

  • Roy Andersson: About Endlessness, 2019

  • Roy Andersson: You, the Living, 2007

  • Roy Andersson: A Swedish Love Story, 1969

  • Roy Andersson: Songs from the Second Floor, 2000

  • Roy Andersson: Giliap, 1975

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Past Films

  • A Swedish Love Story

    Roy Andersson
    Sweden, 1969
    Saturday, September 6 7 PM

    A moped-riding Romeo loves a gum-chewing Juliet in late 1960s Sweden, but parental figures stand in their way. A wry, Milos Forman–inspired look at youthful hopes and middle-aged sadness.

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  • Giliap

    Roy Andersson
    Sweden, 1975
    Saturday, September 13 3:30 PM

    A drifter gains employment in an isolated Swedish hotel with some peculiar goings-on. Tranquil long takes and bizarre humor create “visually a film in the masterpiece class . . . a thing of sheer beauty to behold” (Variety).

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  • Songs from the Second Floor

    Roy Andersson
    Sweden, Denmark, Norway, France, Germany, 2000
    Saturday, September 20 7 PM
    Introduction and Post-Screening Discussion by Ursula Lindqvist

    An intensely visual, surrealist, and frequently uproarious end-of-the-millennium epic about humanity’s confusions, regrets, and needs. “Like an Ingmar Bergman film as realized by Monty Python” (The Globe and Mail). Winner of the Cannes Film Festival Special Jury Prize.

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  • About Endlessness

    Roy Andersson
    Sweden, Norway, 2019
    Sunday, September 21 1 PM
    Introduction and Post-Screening Discussion by Ursula Lindqvist

    Roy Andersson’s most recent take on the foibles, disasters, and despair of human existence—and some of its hope and beauty as well. “Individually somber and cumulatively exhilarating” (New York Times).

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  • You, the Living

    Roy Andersson
    Sweden, France, Germany, Denmark, Norway, 2007
    Thursday, September 25 7 PM

    “‘Keaton-esque’” hardly begins to describe this brutally deadpan comedy . . . [Roy Andersson] seems to have translated the entire range of human misery into a loosely connected series of slapstick gags” (Chicago Reader).

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  • Short Films & Commercials by Roy Andersson

    Sunday, September 28 4 PM
    Introduction by Linda Haverty Rugg

    These hilarious little capitalist nightmares will change how you look at advertising. Droll, strange, completely original: “the best commercials in the world” (Ingmar Bergman). With Roy Andersson’s three early shorts plus World of Glory and Something Happened.

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  • A Pigeon Sat on a Branch Reflecting on Existence

    Roy Andersson
    Sweden, Germany, Norway, France, 2014
    Thursday, October 16 7 PM

    Winner of the 2014 Venice Film Festival, Roy Andersson’s third film in his Living Trilogy refines his unique aesthetic—part Buster Keaton and Samuel Beckett. “What if Ingmar Bergman directed Upright Citizens Brigade?” (Wesley Morris).

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  • About Endlessness

    Roy Andersson
    Sweden, Norway, 2019
    Sunday, October 19 6 PM

    Roy Andersson’s most recent take on the foibles, disasters, and despair of human existence—and some of its hope and beauty as well. “Individually somber and cumulatively exhilarating” (New York Times).

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