Thanks to recent restorations from Cinecittà, this series offers the opportunity to experience a selection of Monica Vitti’s best work on the big screen, from her iconic performances in the films of Michelangelo Antonioni to her exuberant comedies with Carlo Di Palma, Mario Monicelli, Luciano Salce, and Alberto Sordi.
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Monica Vitti is on a desert island in “a mystery that casually abandons its ostensible premise midway through. . . . Cinema as temporal sculpture” (Village Voice). “The first (and the definitive) film about the diminishing attention span of a modern world” (New York Times).
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A novelist (Marcello Mastroianni) and his wife (Jeanne Moreau) play out a drama of marital disillusionment against Michelangelo Antonioni’s rigorous sense of place and architecture. With Monica Vitti as the aloof, alluring daughter of a millionaire industrialist.
“[Michelangelo] Antonioni’s 1962 masterpiece showcases Monica Vitti as his moodiest, most evasive heroine, drifting out of one affair and into another with Alain Delon’s mercurial stockbroker” (Village Voice). “Perhaps the director’s most savage blast of gorgeous B&W ennui” (Time Out).
4K Digital Restoration
Michelangelo Antonioni’s first color film draws images of alarming beauty from environmental apocalypse as an industrialist’s wife (Monica Vitti) suffers a nervous breakdown. “Never has so bleak a vision of contemporary life been projected with more intensity” (Time).
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Replete with rapid-fire dialogue and classic screwball timing, I Married You for Fun explores the challenges of an unconventional matchup between straitlaced lawyer Pietro, and romantic bohemian Guiliana (Monica Vitti) amid the social pressures of the 1960s.
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Monica Vitti shines in this proto-feminist comedy about the transformation of a traditional Sicilian woman traveling through the United Kingdom to avenge her honor. The film satirizes provincial Italian mores while also exploring Italy’s relationship to 1960s cosmopolitanism.
Directed with an eye for the comic gesture and the absurd moment, Alberto Sordi’s first film with Monica Vitti is a bittersweet domestic comedy that sets about debunking the stereotypes of the faithless husband/long-suffering wife.
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Cinematographer Carlo Di Palma’s directorial debut features Monica Vitti as the eponymous war widow and single mother struggling to survive in postwar Italy. “A fascinating cross between melodrama and comic picaresque” (Film at Lincoln Center).
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The lives of a complacent banker, Fabio (Alberto Sordi), and his wife of many years, Livia (Monica Vitti), are turned upside down when they learn a detective hired to investigate a neighbor was accidentally trailing Livia.
4K Digital Restoration
Monica Vitti is on a desert island in “a mystery that casually abandons its ostensible premise midway through. . . . Cinema as temporal sculpture” (Village Voice). “The first (and the definitive) film about the diminishing attention span of a modern world” (New York Times).
4K Digital Restoration
A novelist (Marcello Mastroianni) and his wife (Jeanne Moreau) play out a drama of marital disillusionment against Michelangelo Antonioni’s rigorous sense of place and architecture. With Monica Vitti as the aloof, alluring daughter of a millionaire industrialist.
“[Michelangelo] Antonioni’s 1962 masterpiece showcases Monica Vitti as his moodiest, most evasive heroine, drifting out of one affair and into another with Alain Delon’s mercurial stockbroker” (Village Voice). “Perhaps the director’s most savage blast of gorgeous B&W ennui” (Time Out).
4K Digital Restoration
Michelangelo Antonioni’s first color film draws images of alarming beauty from environmental apocalypse as an industrialist’s wife (Monica Vitti) suffers a nervous breakdown. “Never has so bleak a vision of contemporary life been projected with more intensity” (Time).