November 2018

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    2 PM
    • Film
    • In-Person
    Sunday, October 28, 2018
    2 PM
    Agnieszka Holland,
    Canada, Germany, Poland,
    2011,
    (144 mins)
    During the Nazi occupation of Lvov, Poland, a sewage worker profits by hiding a group of fugitive Jews in the town’s sewers. This claustrophobic, searing drama is “the most volatile film Holland has directed. . . . Honesty is the movie’s greatest strength” (David Denby).
    In Conversation
    • Agnieszka Holland
    • Karolina Pasternak
      Karolina Pasternak is a widely published journalist and film critic for the Polish edition of Newsweek; her commentaries on cinema are regularly broadcast on Polish radio and television.
    3 PM
    Sunday, October 28, 2018
    3 PM
    Ingmar Bergman,
    Sweden,
    1986,
    (81 mins)
    Bergman’s first feature after abandoning 35mm film for television is a tale of tortured love between a middle-aged woman and a slightly younger man. “A melodrama reeking of both sulphur and perfume” (Dagens nyheter).
    Screening in Theater 2; regular film ticket prices apply
    7 PM
    • Film
    Sunday, October 28, 2018
    7 PM
    Luchino Visconti,
    Italy,
    1965,
    (105 mins)

    Digital Restoration

    This somber mood piece is an Elektra story of madness and incestuous passions in a family haunted by secrets and the shadow of the Holocaust.
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    3:10 PM
    • Film
    • In-Person
    Wednesday, October 31, 2018
    3:10 PM
    Ingmar Bergman,
    Sweden,
    1968,
    (90 mins)

    Digital Restoration

    A woman (Liv Ullmann) tells of her life on a remote island with her artist husband (Max von Sydow) in a film that intertwines supernatural mysteries with the no less mysterious torments of creativity.
    Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
    • Linda H. Rugg
      Lecture
      A professor in the Department of Scandinavian at UC Berkeley, Linda H. Rugg has written extensively on Ingmar Bergman.
    7 PM
    • Film
    • In-Person
    Wednesday, October 31, 2018
    7 PM
    Adam Khalil, Bayley Sweitzer,
    United States,
    2018,
    (93 mins)
    Empty Metal takes place in a world similar to ours—one of mass surveillance, pervasive policing, and increasing individual apathy—as it follows the lives of several people attempting to bring about change. With short The Violence of a Civilization Without Secrets.
    In Conversation
    • Adam Khalil
    • Bayley Sweitzer
    • Diana Ruíz
      Diana Ruíz is a PhD candidate in the Department of Film and Media at UC Berkeley.
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    7 PM
    • Film
    Thursday, November 1, 2018
    7 PM
    Luchino Visconti,
    Italy,
    1954,
    (123 mins)

    Digital Restoration

    An unhappily married Italian countess embarks on a doomed love affair with an Austrian officer in Visconti’s operatic, meticulously detailed tale of nationalism and destructive passion. “Visconti here moves his camera as if it were a conductor’s baton” (Artforum).
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    Friday, November 2, 2018
    4 PM
    (90 mins)

    BAMPFA Collection Prints

    This assembly of radical works encompasses local activism (Newsreel’s Black Panther and San Francisco State on Strike), global movements (Santiago Alvarez’s Now! and 79 Springtimes), and feminist statements (Gunvor Nelson and Dorothy Wiley’s Schmeerguntz).
    • The Black Aesthetic
      Introduction
      The Black Aesthetic is a creative organization whose mission is to curate and assemble a collective and distinct understanding of black visual culture.
    7 PM
    Friday, November 2, 2018
    7 PM
    Jean Vigo,
    France,
    1934,
    (89 mins)

    4K Digital Restoration

    Vigo’s only full-length feature is a poetic masterpiece on the theme of passionate love, following a young barge captain and his peasant bride in their first days together. “One of the most magical of French masterpieces” (Variety).
    7:30 PM
    Friday, November 2, 2018
    7:30 PM
    Ingmar Bergman,
    Sweden,
    1986,
    (81 mins)
    Bergman’s first feature after abandoning 35mm film for television is a tale of tortured love between a middle-aged woman and a slightly younger man. “A melodrama reeking of both sulphur and perfume” (Dagens nyheter).
    Screening in Theater 2; regular film ticket prices apply
    Google Calendar
    ICS
    3
    Saturday, November 3, 2018
    5:30 PM
    Dusan Makavejev,
    Yugoslavia,
    1971,
    (84 mins)

    BAMPFA Collection Print
    Film to Table dinner follows

    Makavejev brings a surreal combinatory style and radical sexual politics to a docu-fictional exploration of Wilhelm Reich and his implications for world revolution.
    • Pavle Levi
      Introduction
      Pavle Levi is a professor of film and media studies at Stanford. He has written extensively about  Yugoslav cinema and the films of Dusan Makavejev.
    Saturday, November 3, 2018
    7 PM

    Four-course dinner with wine pairing

    Join fellow cinephiles at our table for dinner and discussion following this 1971 film, which brings a surreal combinatory style and radical sexual politics to a docu-fictional exploration of Wilhelm Reich and his implications for world revolution.
    At Babette
    $75 per person. Film and dinner tickets must be purchased separately. Call Babette at (510) 684-3046 with questions.
    7:30 PM
    Saturday, November 3, 2018
    7:30 PM
    Luchino Visconti,
    Algeria, France, Italy,
    1967,
    (104 mins)

    Imported 35mm Print

    A rare opportunity to see this adaptation of the great existentialist novel, with Marcello Mastroianni as Camus’s archetype of alienation. Visconti vividly re-creates 1930s colonial Algiers.
    Google Calendar
    ICS
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    11 AM–3 PM
    • Art
    • Families
    • Film
    • Free
    • Performance
    Sunday, November 4, 2018
    11 AM–3 PM
    Explore BAMPFA exhibitions, make your own art, enjoy a performance by Unique Derique, and check out a screening of animated films by John Canemaker—bring the family and make a day of it!
    Free admission
    4 PM
    • Film
    • In-Person
    Sunday, November 4, 2018
    4 PM
    Ingmar Bergman,
    Sweden,
    1984,
    (72 mins)

    Imported 35mm Print
    BAMPFA Student Committee Pick

    A spare, pellucid work featuring three actors (Erland Josephson, Ingrid Thulin, and Lena Olin) in one set, After the Rehearsal is a far-reaching meditation on life, theater, and the connections between the two.
    In Conversation
    • Katinka Faragó
      Swedish filmmaker Katinka Faragó worked with Ingmar Bergman as a script consultant, continuity expert, production manager, and producer; she joins us for a discussion before the screening.
    • Linda H. Rugg
      A professor in the Department of Scandinavian at UC Berkeley, Linda H. Rugg has written extensively on Ingmar Bergman.
    Sunday, November 4, 2018
    4PM

    Open to Curator’s Circle members at the $2,500 level and above. 

    Curator’s Circle members are invited to a screening of Ingmar Bergman’s late film After the Rehearsal (1984), featuring Swedish filmmaker Katinka Faragó in conversation with Susan Oxtoby, and followed by an intimate dinner with both.
    For Curator's Circle members only.
    4:00–5:30 p.m. discussion and screening; 6:00–8:00 p.m. hosted dinner at Babette
    Sunday, November 4, 2018
    7 PM
    Bernard Eisenschitz,
    France,
    2017,
    (80 mins)
    A montage of outtakes and rushes from Vigo’s masterpiece, compiled and narrated by film critic and historian Bernard Eisenschitz, offers insight into the methods of an inspired filmmaker. With Vigo’s Taris and Swimming.
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    3:10 PM
    • Film
    • In-Person
    Wednesday, November 7, 2018
    3:10 PM
    Ingmar Bergman,
    Sweden,
    1968,
    (103 mins)
    Liv Ullmann and Max von Sydow star in “Bergman’s simple, masterly vision of normal war and what it does to survivors. Set a tiny step into the future, the film has the inevitability of a common dream” (Pauline Kael).
    Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
    In Conversation
    • Katinka Faragó
      Katinka Faragó was a longtime collaborator of Ingmar Bergman. She joins Linda H. Rugg for a conversation about the making of Shame following the screening.
    • Linda H. Rugg
      A professor in the Department of Scandinavian at UC Berkeley, Linda H. Rugg has written extensively on Ingmar Bergman.
    Wednesday, November 7, 2018
    7 PM
    (65 mins)

    BAMPFA Student Committee Pick

    Interweaving works by a pioneering Austrian and a contemporary US-based Japanese filmmaker, this program highlights connections across continents and generations animating the structural filmmaking tradition.
    In Conversation
    • Tomonari Nishikawa
    • Patrick Harrison
      Patrick Harrison is a doctoral student in film and media at UC Berkeley. He and Megan Hoetger guest curated tonight’s program.
    • Megan Hoetger
      Megan Hoetger, a doctoral candidate in performance studies, wrote her dissertation on Kurt Kren.
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    7:30 PM
    • Film
    • In-Person
    Thursday, November 8, 2018
    7:30 PM
    Corneliu Porumboiu,
    Romania,
    2015,
    (89 mins)
    Two cash-strapped neighbors rent a metal detector to search for treasure that may or may not be buried at one’s family home in this disarming, deadpan parable on bureaucracy, hope, and unearthing the past. “A movie that lives up to its name” (New York Times).
    • Corneliu Porumboiu
      In Person
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    4 PM
    • Film
    Friday, November 9, 2018
    4 PM
    Lucrecia Martel,
    Argentina,
    2017,
    (115 mins)
    The latest feature from acclaimed director Martel is a glimpse into the colonial abyss, adapted from a famed Argentine novel about a Spanish officer in a remote proto-Paraguayan outpost. “Perplexing and thrilling in equal measure” (Variety).
    7 PM
    • Film
    • In-Person
    Friday, November 9, 2018
    7 PM
    Corneliu Porumboiu,
    Romania,
    2009,
    (113 mins)
    The Wire in Romania; Serpico with a thesaurus: a beat cop tails a teenage pot smoker around town, and engages his superiors in verbal battles about law, language, and justice. “Extraordinary” (Variety).
    In Conversation
    • Corneliu Porumboiu
    • Mona Nicoară
      Mona Nicoară is a documentary filmmaker, writer, film curator, and activist. Her documentary Our School won the top prize at AFI SilverDocs in 2011.
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    Saturday, November 10, 2018
    2 PM
    Stanley Kubrick,
    United Kingdom, United States,
    1968,
    (159 mins)

    50th Anniversary Rerelease

    Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
    Screening includes intermission
    Google Calendar
    ICS
    5:30 PM
    • Film
    • In-Person
    Saturday, November 10, 2018
    5:30 PM
    Corneliu Porumboiu,
    Romania,
    2006,
    (89 mins)
    A provincial TV talk show turns into a battle over the history of the Romanian revolution in Porumboiu’s hilarious allegory, winner of Cannes’ Caméra d’Or.
    • Corneliu Porumboiu
      In Conversation
    • Mona Nicoară
      In Conversation
      Mona Nicoară is a documentary filmmaker, writer, film curator, and activist. Her documentary Our School won the top prize at AFI SilverDocs in 2011.
    8 PM
    • Film
    Saturday, November 10, 2018
    8 PM
    Luchino Visconti,
    Italy,
    1954,
    (123 mins)

    Digital Restoration

    An unhappily married Italian countess embarks on a doomed love affair with an Austrian officer in Visconti’s operatic, meticulously detailed tale of nationalism and destructive passion. “Visconti here moves his camera as if it were a conductor’s baton” (Artforum).
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    3:30 PM
    • Film
    • In-Person
    Sunday, November 11, 2018
    3:30 PM
    Corneliu Porumboiu,
    Romania,
    2017,
    (70 mins)
    Perhaps the purest expression of one of Porumboiu’s favorite themes, rules vs. freedom, Infinite Football documents an unassuming bureaucrat with a unique extracurricular passion: attempting to revolutionize the rules of football.
    • Corneliu Porumboiu
      In Person
    7 PM
    • Film
    • In-Person
    Sunday, November 11, 2018
    7 PM
    Dariush Mehrjui,
    Iran,
    1968,
    (105 mins)
    This landmark of the Iranian New Wave is a portrait of village life where isolation and extreme poverty create their own social structure. “The first Iranian film to deal with the small-scale, the unredeemed and the unheroic” (Hamidreza Sadr).
    • Targol Mesbah
      Introduction
      Targol Mesbah teaches critical theory and media studies in the Department of Anthropology and Social Change at the California Institute of Integral Studies.
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    3:10 PM
    • Film
    • In-Person
    Wednesday, November 14, 2018
    3:10 PM
    Ingmar Bergman,
    Sweden,
    1972,
    (91 mins)
    A dying woman (Harriet Andersson) is attended by her sisters (Liv Ullmann and Ingrid Thulin) at a country house. “A laceratingly beautiful attempt to explore the human need not only to draw comfort from the past, but to project love back into its dusty reaches” (Monthly Film Bulletin).
    Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
    • Linda H. Rugg
      Lecture
      A professor in the Department of Scandinavian at UC Berkeley, Linda H. Rugg has written extensively on Ingmar Bergman.
    7 PM
    • Film
    • In-Person
    Wednesday, November 14, 2018
    7 PM
    Larry Clark,
    United States,
    1973,
    (61 mins)
    Clark’s drama of post-Watts resistance and black power is a rediscovered masterpiece and a key work of the L.A. Rebellion. With Frances Bodomo’s short Everybody Dies!
    In Conversation
    • Larry Clark
    • Ra Malika Imhotep
      Ra Malika Imhotep is a black feminist writer and root worker currently pursuing a doctoral degree in black studies at UC Berkeley.
    • Jamal Batts
      Jamal Batts is a black queer cultural critic, doctoral student in black studies at UC Berkeley, and member of The Black Aesthetic.
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    7 PM
    • Film
    • In-Person
    Thursday, November 15, 2018
    7 PM
    Jean-Luc Godard, Jackie Raynal, Alain Resnais, Philippe Garrel, Gérard Fromanger, et al.,
    France,
    1968,
    (55 mins)
    A selection of formally inventive, highly politicized short silent films made amid the strikes and uprisings of 1968 Paris.
    • Julia Nelsen
      Introduction
      Julia Nelsen is program manager at the UC Berkeley Institute of European Studies.
    16
    3:30 PM
    Friday, November 16, 2018
    3:30 PM
    Stanley Kubrick,
    United Kingdom, United States,
    1968,
    (159 mins)

    50th Anniversary Rerelease

    Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
    Screening includes intermission
    Friday, November 16, 2018
    7 PM
    Corneliu Porumboiu,
    Romania,
    2013,
    (89 mins)

    Imported 35mm Print

    Continuing his very particular parsing of language and politics—here, the politics are cinematic—Porumboiu follows a film director rehearsing the details of a nude scene with his lead actress.
    Friday, November 16, 2018
    7:30 PM
    Ingmar Bergman,
    Sweden,
    1997,
    (120 mins)
    Bergman’s eccentric made-for-television drama, set in a Swedish insane asylum in 1925, is both a fond tribute to Swedish silent cinema and an autumnal look back at the director’s own career.
    Screening in Theater 2; regular film ticket prices apply
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    3:30 PM
    Saturday, November 17, 2018
    3:30 PM
    Jean Vigo,
    France,
    1933,
    (90 mins)

    4K Digital Restoration

    A boarding school becomes a center of rebellion in Vigo’s exuberant antiestablishment classic. Followed by outtakes from the film and Vigo’s witty short À propos de Nice.
    5:30 PM
    • Film
    • In-Person
    Saturday, November 17, 2018
    5:30 PM
    Med Hondo,
    Mauritania,
    1970,
    (98 mins)

    New Digital Restoration

    A laborer moves from West Africa to Paris in search of a better life, but finds instead a modern version of slavery, in this “scathing attack on colonialism” (Harvard Film Archive).
    • Christina Gerhardt
      Introduction
      Guest curator Christina Gerhardt, a visiting scholar at the UC Berkeley Institute of European Studies, discusses her new book 1968 and Global Cinema, coedited with Sara Saljoughi.
    8 PM
    Saturday, November 17, 2018
    8 PM
    Hirokazu Kore-eda,
    Japan,
    2017,
    (125 mins)
    Kore-eda’s latest film is “a captivating puzzle” (The Guardian). A man has confessed to murder, but when his defense lawyer tries to establish a motive, he wanders into a web of uncertainties that are both factual and existential.
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    2 PM
    • Film
    Sunday, November 18, 2018
    2 PM
    Luchino Visconti,
    Federal Republic of Germany, France, Italy,
    1973,
    (238 mins)

    Imported 35mm Print

    Visconti gives the tragic life of the mad king of Bavaria an epic treatment, dazzling in its historical detail. “Ludwig is a passion play: a mass” (Film Comment). “An opulent, trance-like biopic” (Artforum).
    Sunday, November 18, 2018
    2:45 PM
    Ingmar Bergman,
    Sweden,
    1997,
    (120 mins)
    Bergman’s eccentric made-for-television drama, set in a Swedish insane asylum in 1925, is both a fond tribute to Swedish silent cinema and an autumnal look back at the director’s own career.
    Screening in Theater 2; regular film ticket prices apply
    Google Calendar
    ICS
    7 PM
    Sunday, November 18, 2018
    7 PM
    Krzysztof Kieslowski,
    Poland,
    1981/87,
    (120 mins)

    Digital Restoration

     

    Kieslowski’s Solidarity-era work is three films in one, telling the possible futures of its protagonist: Party member, dissident, or apolitical family man. “One of Kieslowski’s best films. . . . Should not be missed” (Hollywood Reporter).
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    Friday, November 23, 2018
    All Day
    The BAMPFA Film Library & Study Center is closed today.
    5 PM
    Friday, November 23, 2018
    5 PM
    Jean Vigo,
    France,
    1934,
    (89 mins)

    4K Digital Restoration

    Vigo’s only full-length feature is a poetic masterpiece on the theme of passionate love, following a young barge captain and his peasant bride in their first days together. “One of the most magical of French masterpieces” (Variety).
    7 PM
    Friday, November 23, 2018
    7 PM
    Hirokazu Kore-eda,
    Japan,
    2017,
    (125 mins)
    Kore-eda’s latest film is “a captivating puzzle” (The Guardian). A man has confessed to murder, but when his defense lawyer tries to establish a motive, he wanders into a web of uncertainties that are both factual and existential.
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    1:30 PM
    • Families
    • Film
    Saturday, November 24, 2018
    1:30 PM
    Hayao Miyazaki,
    Japan,
    2004,
    (119 mins)

    Digital Restoration
    Recommended for ages 9 & up

    Based on the novel by Diana Wynne Jones, this spectacular anime blends European fairy tale with director Hayao Miyazaki’s distinctive sensibility.
    Google Calendar
    ICS
    4 PM
    Saturday, November 24, 2018
    4 PM
    Krzysztof Kieslowski,
    Poland,
    1981/87,
    (120 mins)

    Digital Restoration

     

    Kieslowski’s Solidarity-era work is three films in one, telling the possible futures of its protagonist: Party member, dissident, or apolitical family man. “One of Kieslowski’s best films. . . . Should not be missed” (Hollywood Reporter).
    6:30 PM
    Saturday, November 24, 2018
    6:30 PM
    Stanley Kubrick,
    United Kingdom, United States,
    1968,
    (159 mins)

    50th Anniversary Rerelease

    Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
    Screening includes intermission
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    3 PM
    Sunday, November 25, 2018
    3 PM
    Ingmar Bergman,
    Sweden,
    2000,
    (100 mins)
    A great filmmaker pays homage to another: Bergman’s television play documents a behind-the-scene moment from the creation of Victor Sjöström’s silent film classic The Phantom Carriage, one of Bergman’s favorite works.
    Screening in Theater 2; regular film ticket prices apply
    Google Calendar
    ICS
    3:30 PM
    Sunday, November 25, 2018
    3:30 PM
    Stanley Kubrick,
    United Kingdom, United States,
    1968,
    (159 mins)

    50th Anniversary Rerelease

    Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
    Screening includes intermission
    7 PM
    Sunday, November 25, 2018
    7 PM
    Luchino Visconti,
    France, Italy,
    1974,
    (121 mins)

    Imported 35mm Print

    When aging professor Burt Lancaster rents the upper flat of his palazzo to a Roman matron and her gigolo, his life’s denouement is invaded by la dolce vita.
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    3:10 PM
    • Film
    • In-Person
    Wednesday, November 28, 2018
    3:10 PM
    Ingmar Bergman,
    Sweden,
    1982,
    (188 mins)
    This chronicle of an early twentieth-century theatrical family, told from the perspective of a young brother and sister, is comic and tragic, opulent and intellectual, mystical and autobiographical. Bergman called it “the sum total of my life as a filmmaker.”
    Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
    Wednesday, November 28, 2018
    7 PM
    (84 mins)
    Three works bear personal witness to collective histories, from Auschwitz to the Japanese internment to postwar Japan: Rea Tajiri’s History and Memory, Abraham Ravett’s The March, and Jeffrey Skoller’s recent The Unimagined Lives of Our Neighbors.
    • Jeffrey Skoller
      In Person
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    Thursday, November 29, 2018
    7 PM
    Shinsuke Ogawa,
    Japan,
    1968,
    (108 mins)

    Archival Print

    Ogawa’s battle-scarred call-to-arms follows Japanese student activists and radical laborers fighting against forced eviction. A classic of activist documentary by an essential but little-known filmmaker.
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    7 PM
    Friday, November 30, 2018
    7 PM
    Luchino Visconti,
    France, Italy,
    1976,
    (129 mins)

    Imported 35mm Print

    Giancarlo Giannini in Visconti’s final work, a sumptuous, sensuous adaptation of the d’Annunzio novel. “One of Visconti’s most beautiful films [and] one of his most terse, most dramatically economical” (New York Times).
    7:30 PM
    Friday, November 30, 2018
    7:30 PM
    Ingmar Bergman,
    Sweden,
    2000,
    (100 mins)
    A great filmmaker pays homage to another: Bergman’s television play documents a behind-the-scene moment from the creation of Victor Sjöström’s silent film classic The Phantom Carriage, one of Bergman’s favorite works.
    Screening in Theater 2; regular film ticket prices apply
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    Saturday, December 1, 2018
    5:30 PM
    Jiří Trnka,
    Czechoslovakia,
    1954,
    (86 mins)
    This riotous antiauthoritarian satire—a stop-motion adaptation of the famous Czech antiwar novel—follows a beer-loving, order-ignoring infantryman who “speaks truth to power” by simply repeating its idiocies. Screening with The Two Frosts.
    7:30 PM
    • Film
    Saturday, December 1, 2018
    7:30 PM
    Ingmar Bergman,
    Sweden,
    1966,
    (85 mins)

    Digital Restoration

    Exploring the strange symbiosis between a speechless actress (Liv Ullmann) and her nurse companion (Bibi Andersson), this is “Bergman at his most brilliant” (Time Out).