Sunday | Monday | Tuesday | Wednesday | Thursday | Friday | Saturday |
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28
2 PM
Sunday, October 28, 2018
2 PM
Agnieszka Holland,
Canada, Germany, Poland,
2011,
(144 mins)
During the Nazi occupation of Lvov, Poland, a sewage worker profits by hiding a group of fugitive Jews in the town’s sewers. This claustrophobic, searing drama is “the most volatile film Holland has directed. . . . Honesty is the movie’s greatest strength” (David Denby).
In Conversation
3 PM
Sunday, October 28, 2018
3 PM
Ingmar Bergman,
Sweden,
1986,
(81 mins)
Bergman’s first feature after abandoning 35mm film for television is a tale of tortured love between a middle-aged woman and a slightly younger man. “A melodrama reeking of both sulphur and perfume” (Dagens nyheter).
Screening in Theater 2; regular film ticket prices apply
Series
Bergman 100: Late Works
7 PM
Sunday, October 28, 2018
7 PM
Luchino Visconti,
Italy,
1965,
(105 mins)
Digital Restoration
This somber mood piece is an Elektra story of madness and incestuous passions in a family haunted by secrets and the shadow of the Holocaust.
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29
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30
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31
3:10 PM
Wednesday, October 31, 2018
3:10 PM
Ingmar Bergman,
Sweden,
1968,
(90 mins)
Digital Restoration
A woman (Liv Ullmann) tells of her life on a remote island with her artist husband (Max von Sydow) in a film that intertwines supernatural mysteries with the no less mysterious torments of creativity.
Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
Series
In Focus: Ingmar Bergman
7 PM
Wednesday, October 31, 2018
7 PM
Adam Khalil, Bayley Sweitzer,
United States,
2018,
(93 mins)
Empty Metal takes place in a world similar to ours—one of mass surveillance, pervasive policing, and increasing individual apathy—as it follows the lives of several people attempting to bring about change. With short The Violence of a Civilization Without Secrets.
In Conversation
Series
Alternative Visions 2018
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1
7 PM
Thursday, November 1, 2018
7 PM
Luchino Visconti,
Italy,
1954,
(123 mins)
Digital Restoration
An unhappily married Italian countess embarks on a doomed love affair with an Austrian officer in Visconti’s operatic, meticulously detailed tale of nationalism and destructive passion. “Visconti here moves his camera as if it were a conductor’s baton” (Artforum).
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2
4 PM
Friday, November 2, 2018
4 PM
(90 mins)
BAMPFA Collection Prints
This assembly of radical works encompasses local activism (Newsreel’s Black Panther and San Francisco State on Strike), global movements (Santiago Alvarez’s Now! and 79 Springtimes), and feminist statements (Gunvor Nelson and Dorothy Wiley’s Schmeerguntz).
Series
1968 and Global Cinema
7 PM
Friday, November 2, 2018
7 PM
Jean Vigo,
France,
1934,
(89 mins)
4K Digital Restoration
Vigo’s only full-length feature is a poetic masterpiece on the theme of passionate love, following a young barge captain and his peasant bride in their first days together. “One of the most magical of French masterpieces” (Variety).
Series
Jean Vigo Regained
7:30 PM
Friday, November 2, 2018
7:30 PM
Ingmar Bergman,
Sweden,
1986,
(81 mins)
Bergman’s first feature after abandoning 35mm film for television is a tale of tortured love between a middle-aged woman and a slightly younger man. “A melodrama reeking of both sulphur and perfume” (Dagens nyheter).
Screening in Theater 2; regular film ticket prices apply
Series
Bergman 100: Late Works
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3
5:30 PM
Saturday, November 3, 2018
5:30 PM
Dusan Makavejev,
Yugoslavia,
1971,
(84 mins)
BAMPFA Collection Print
Makavejev brings a surreal combinatory style and radical sexual politics to a docu-fictional exploration of Wilhelm Reich and his implications for world revolution.
Series
1968 and Global Cinema
7 PM
Saturday, November 3, 2018
7 PM
Four-course dinner with wine pairing
Join fellow cinephiles at our table for dinner and discussion following this 1971 film, which brings a surreal combinatory style and radical sexual politics to a docu-fictional exploration of Wilhelm Reich and his implications for world revolution.
At Babette
$75 per person. Film and dinner tickets must be purchased separately. Call Babette at (510) 684-3046 with questions.
7:30 PM
Saturday, November 3, 2018
7:30 PM
Luchino Visconti,
Algeria, France, Italy,
1967,
(104 mins)
Imported 35mm Print
A rare opportunity to see this adaptation of the great existentialist novel, with Marcello Mastroianni as Camus’s archetype of alienation. Visconti vividly re-creates 1930s colonial Algiers.
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6
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8
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9
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10
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4
11 AM–3 PM
Sunday, November 4, 2018
11 AM–3 PM
Explore BAMPFA exhibitions, make your own art, enjoy a performance by Unique Derique, and check out a screening of animated films by John Canemaker—bring the family and make a day of it!
Free admission
Series
Family Events 2018
4 PM
Sunday, November 4, 2018
4 PM
Ingmar Bergman,
Sweden,
1984,
(72 mins)
Imported 35mm Print
A spare, pellucid work featuring three actors (Erland Josephson, Ingrid Thulin, and Lena Olin) in one set, After the Rehearsal is a far-reaching meditation on life, theater, and the connections between the two.
In Conversation
4PM
Sunday, November 4, 2018
4PM
Open to Curator’s Circle members at the $2,500 level and above.
Curator’s Circle members are invited to a screening of Ingmar Bergman’s late film After the Rehearsal (1984), featuring Swedish filmmaker Katinka Faragó in conversation with Susan Oxtoby, and followed by an intimate dinner with both.
For Curator's Circle members only.
4:00–5:30 p.m. discussion and screening; 6:00–8:00 p.m. hosted dinner at Babette
Series
Curator's Circle Events
Sunday, November 4, 2018
7 PM
Bernard Eisenschitz,
France,
2017,
(80 mins)
A montage of outtakes and rushes from Vigo’s masterpiece, compiled and narrated by film critic and historian Bernard Eisenschitz, offers insight into the methods of an inspired filmmaker. With Vigo’s Taris and Swimming.
Series
Jean Vigo Regained
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5
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6
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7
3:10 PM
Wednesday, November 7, 2018
3:10 PM
Ingmar Bergman,
Sweden,
1968,
(103 mins)
Liv Ullmann and Max von Sydow star in “Bergman’s simple, masterly vision of normal war and what it does to survivors. Set a tiny step into the future, the film has the inevitability of a common dream” (Pauline Kael).
Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
In Conversation
Series
In Focus: Ingmar Bergman
7 PM
Wednesday, November 7, 2018
7 PM
(65 mins)
BAMPFA Student Committee Pick
Interweaving works by a pioneering Austrian and a contemporary US-based Japanese filmmaker, this program highlights connections across continents and generations animating the structural filmmaking tradition.
In Conversation
Series
Alternative Visions 2018
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8
7:30 PM
Thursday, November 8, 2018
7:30 PM
Corneliu Porumboiu,
Romania,
2015,
(89 mins)
Two cash-strapped neighbors rent a metal detector to search for treasure that may or may not be buried at one’s family home in this disarming, deadpan parable on bureaucracy, hope, and unearthing the past. “A movie that lives up to its name” (New York Times).
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9
4 PM
Friday, November 9, 2018
4 PM
Lucrecia Martel,
Argentina,
2017,
(115 mins)
The latest feature from acclaimed director Martel is a glimpse into the colonial abyss, adapted from a famed Argentine novel about a Spanish officer in a remote proto-Paraguayan outpost. “Perplexing and thrilling in equal measure” (Variety).
7 PM
Friday, November 9, 2018
7 PM
Corneliu Porumboiu,
Romania,
2009,
(113 mins)
The Wire in Romania; Serpico with a thesaurus: a beat cop tails a teenage pot smoker around town, and engages his superiors in verbal battles about law, language, and justice. “Extraordinary” (Variety).
In Conversation
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10
2 PM
Saturday, November 10, 2018
2 PM
Stanley Kubrick,
United Kingdom, United States,
1968,
(159 mins)
50th Anniversary Rerelease
Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
Screening includes intermission
5:30 PM
Saturday, November 10, 2018
5:30 PM
Corneliu Porumboiu,
Romania,
2006,
(89 mins)
A provincial TV talk show turns into a battle over the history of the Romanian revolution in Porumboiu’s hilarious allegory, winner of Cannes’ Caméra d’Or.
8 PM
Saturday, November 10, 2018
8 PM
Luchino Visconti,
Italy,
1954,
(123 mins)
Digital Restoration
An unhappily married Italian countess embarks on a doomed love affair with an Austrian officer in Visconti’s operatic, meticulously detailed tale of nationalism and destructive passion. “Visconti here moves his camera as if it were a conductor’s baton” (Artforum).
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16
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17
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11
3:30 PM
Sunday, November 11, 2018
3:30 PM
Corneliu Porumboiu,
Romania,
2017,
(70 mins)
Perhaps the purest expression of one of Porumboiu’s favorite themes, rules vs. freedom, Infinite Football documents an unassuming bureaucrat with a unique extracurricular passion: attempting to revolutionize the rules of football.
7 PM
Sunday, November 11, 2018
7 PM
Dariush Mehrjui,
Iran,
1968,
(105 mins)
This landmark of the Iranian New Wave is a portrait of village life where isolation and extreme poverty create their own social structure. “The first Iranian film to deal with the small-scale, the unredeemed and the unheroic” (Hamidreza Sadr).
Series
1968 and Global Cinema
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12
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13
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14
3:10 PM
Wednesday, November 14, 2018
3:10 PM
Ingmar Bergman,
Sweden,
1972,
(91 mins)
A dying woman (Harriet Andersson) is attended by her sisters (Liv Ullmann and Ingrid Thulin) at a country house. “A laceratingly beautiful attempt to explore the human need not only to draw comfort from the past, but to project love back into its dusty reaches” (Monthly Film Bulletin).
Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
Series
In Focus: Ingmar Bergman
7 PM
Wednesday, November 14, 2018
7 PM
Larry Clark,
United States,
1973,
(61 mins)
Clark’s drama of post-Watts resistance and black power is a rediscovered masterpiece and a key work of the L.A. Rebellion. With Frances Bodomo’s short Everybody Dies!
In Conversation
Series
Alternative Visions 2018
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15
7 PM
Thursday, November 15, 2018
7 PM
Jean-Luc Godard, Jackie Raynal, Alain Resnais, Philippe Garrel, Gérard Fromanger, et al.,
France,
1968,
(55 mins)
A selection of formally inventive, highly politicized short silent films made amid the strikes and uprisings of 1968 Paris.
Series
1968 and Global Cinema
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16
3:30 PM
Friday, November 16, 2018
3:30 PM
Stanley Kubrick,
United Kingdom, United States,
1968,
(159 mins)
50th Anniversary Rerelease
Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
Screening includes intermission
Friday, November 16, 2018
7 PM
Corneliu Porumboiu,
Romania,
2013,
(89 mins)
Imported 35mm Print
Continuing his very particular parsing of language and politics—here, the politics are cinematic—Porumboiu follows a film director rehearsing the details of a nude scene with his lead actress.
7:30 PM
Friday, November 16, 2018
7:30 PM
Ingmar Bergman,
Sweden,
1997,
(120 mins)
Bergman’s eccentric made-for-television drama, set in a Swedish insane asylum in 1925, is both a fond tribute to Swedish silent cinema and an autumnal look back at the director’s own career.
Screening in Theater 2; regular film ticket prices apply
Series
Bergman 100: Late Works
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17
3:30 PM
Saturday, November 17, 2018
3:30 PM
Jean Vigo,
France,
1933,
(90 mins)
4K Digital Restoration
A boarding school becomes a center of rebellion in Vigo’s exuberant antiestablishment classic. Followed by outtakes from the film and Vigo’s witty short À propos de Nice.
Series
Jean Vigo Regained
5:30 PM
Saturday, November 17, 2018
5:30 PM
Med Hondo,
Mauritania,
1970,
(98 mins)
New Digital Restoration
A laborer moves from West Africa to Paris in search of a better life, but finds instead a modern version of slavery, in this “scathing attack on colonialism” (Harvard Film Archive).
Series
1968 and Global Cinema
8 PM
Saturday, November 17, 2018
8 PM
Hirokazu Kore-eda,
Japan,
2017,
(125 mins)
Kore-eda’s latest film is “a captivating puzzle” (The Guardian). A man has confessed to murder, but when his defense lawyer tries to establish a motive, he wanders into a web of uncertainties that are both factual and existential.
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19
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20
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21
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22
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23
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24
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18
2 PM
Sunday, November 18, 2018
2 PM
Luchino Visconti,
Federal Republic of Germany, France, Italy,
1973,
(238 mins)
Imported 35mm Print
Visconti gives the tragic life of the mad king of Bavaria an epic treatment, dazzling in its historical detail. “Ludwig is a passion play: a mass” (Film Comment). “An opulent, trance-like biopic” (Artforum).
2:45 PM
Sunday, November 18, 2018
2:45 PM
Ingmar Bergman,
Sweden,
1997,
(120 mins)
Bergman’s eccentric made-for-television drama, set in a Swedish insane asylum in 1925, is both a fond tribute to Swedish silent cinema and an autumnal look back at the director’s own career.
Screening in Theater 2; regular film ticket prices apply
Series
Bergman 100: Late Works
7 PM
Sunday, November 18, 2018
7 PM
Krzysztof Kieslowski,
Poland,
1981/87,
(120 mins)
Digital Restoration
Kieslowski’s Solidarity-era work is three films in one, telling the possible futures of its protagonist: Party member, dissident, or apolitical family man. “One of Kieslowski’s best films. . . . Should not be missed” (Hollywood Reporter).
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23
All Day
Friday, November 23, 2018
All Day
5 PM
Friday, November 23, 2018
5 PM
Jean Vigo,
France,
1934,
(89 mins)
4K Digital Restoration
Vigo’s only full-length feature is a poetic masterpiece on the theme of passionate love, following a young barge captain and his peasant bride in their first days together. “One of the most magical of French masterpieces” (Variety).
Series
Jean Vigo Regained
7 PM
Friday, November 23, 2018
7 PM
Hirokazu Kore-eda,
Japan,
2017,
(125 mins)
Kore-eda’s latest film is “a captivating puzzle” (The Guardian). A man has confessed to murder, but when his defense lawyer tries to establish a motive, he wanders into a web of uncertainties that are both factual and existential.
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24
1:30 PM
Saturday, November 24, 2018
1:30 PM
Hayao Miyazaki,
Japan,
2004,
(119 mins)
Digital Restoration
Based on the novel by Diana Wynne Jones, this spectacular anime blends European fairy tale with director Hayao Miyazaki’s distinctive sensibility.
4 PM
Saturday, November 24, 2018
4 PM
Krzysztof Kieslowski,
Poland,
1981/87,
(120 mins)
Digital Restoration
Kieslowski’s Solidarity-era work is three films in one, telling the possible futures of its protagonist: Party member, dissident, or apolitical family man. “One of Kieslowski’s best films. . . . Should not be missed” (Hollywood Reporter).
6:30 PM
Saturday, November 24, 2018
6:30 PM
Stanley Kubrick,
United Kingdom, United States,
1968,
(159 mins)
50th Anniversary Rerelease
Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
Screening includes intermission
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1
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25
3 PM
Sunday, November 25, 2018
3 PM
Ingmar Bergman,
Sweden,
2000,
(100 mins)
A great filmmaker pays homage to another: Bergman’s television play documents a behind-the-scene moment from the creation of Victor Sjöström’s silent film classic The Phantom Carriage, one of Bergman’s favorite works.
Screening in Theater 2; regular film ticket prices apply
Series
Bergman 100: Late Works
3:30 PM
Sunday, November 25, 2018
3:30 PM
Stanley Kubrick,
United Kingdom, United States,
1968,
(159 mins)
50th Anniversary Rerelease
Kubrick harnesses the widescreen, epic format for an intensely metaphysical experience in space and time. Since 2001’s release fifty years ago, “no movie has matched its solemnly jaw-dropping techno-poetic majesty” (Variety).
Screening includes intermission
7 PM
Sunday, November 25, 2018
7 PM
Luchino Visconti,
France, Italy,
1974,
(121 mins)
Imported 35mm Print
When aging professor Burt Lancaster rents the upper flat of his palazzo to a Roman matron and her gigolo, his life’s denouement is invaded by la dolce vita.
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3:10 PM
Wednesday, November 28, 2018
3:10 PM
Ingmar Bergman,
Sweden,
1982,
(188 mins)
This chronicle of an early twentieth-century theatrical family, told from the perspective of a young brother and sister, is comic and tragic, opulent and intellectual, mystical and autobiographical. Bergman called it “the sum total of my life as a filmmaker.”
Special admission: General: $15; BAMPFA members: $11; UC Berkeley students: $7; UC Berkeley faculty and staff, non-UC Berkeley students, disabled persons, ages 65+ and 18 & under: $12.
Series
In Focus: Ingmar Bergman
7 PM
Wednesday, November 28, 2018
7 PM
(84 mins)
Three works bear personal witness to collective histories, from Auschwitz to the Japanese internment to postwar Japan: Rea Tajiri’s History and Memory, Abraham Ravett’s The March, and Jeffrey Skoller’s recent The Unimagined Lives of Our Neighbors.
Series
Alternative Visions 2018
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29
Thursday, November 29, 2018
7 PM
Shinsuke Ogawa,
Japan,
1968,
(108 mins)
Archival Print
Ogawa’s battle-scarred call-to-arms follows Japanese student activists and radical laborers fighting against forced eviction. A classic of activist documentary by an essential but little-known filmmaker.
Series
1968 and Global Cinema
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30
7 PM
Friday, November 30, 2018
7 PM
Luchino Visconti,
France, Italy,
1976,
(129 mins)
Imported 35mm Print
Giancarlo Giannini in Visconti’s final work, a sumptuous, sensuous adaptation of the d’Annunzio novel. “One of Visconti’s most beautiful films [and] one of his most terse, most dramatically economical” (New York Times).
7:30 PM
Friday, November 30, 2018
7:30 PM
Ingmar Bergman,
Sweden,
2000,
(100 mins)
A great filmmaker pays homage to another: Bergman’s television play documents a behind-the-scene moment from the creation of Victor Sjöström’s silent film classic The Phantom Carriage, one of Bergman’s favorite works.
Screening in Theater 2; regular film ticket prices apply
Series
Bergman 100: Late Works
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1
5:30 PM
Saturday, December 1, 2018
5:30 PM
Jiří Trnka,
Czechoslovakia,
1954,
(86 mins)
This riotous antiauthoritarian satire—a stop-motion adaptation of the famous Czech antiwar novel—follows a beer-loving, order-ignoring infantryman who “speaks truth to power” by simply repeating its idiocies. Screening with The Two Frosts.
7:30 PM
Saturday, December 1, 2018
7:30 PM
Ingmar Bergman,
Sweden,
1966,
(85 mins)
Digital Restoration
Exploring the strange symbiosis between a speechless actress (Liv Ullmann) and her nurse companion (Bibi Andersson), this is “Bergman at his most brilliant” (Time Out).
Series
Bergman 100: Full Circle
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