March 2023

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    1:30 PM
    Sunday, February 26, 2023
    1:30 PM
    Bertrand Tavernier,
    France,
    1992,
    (247 mins)

    Digital Restoration

    Assembled from fifty hours of footage, the film focuses on twenty-eight veterans—all conscripts and of every shade of political conviction. The film’s remarkable power and universality lies in the human dimension of these veterans, as they bring the events of the past to life with searing and enlightening honesty.

    Presented with a 20-minute intermission

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    Wednesday, March 1, 2023
    7 PM
    Alice Diop,
    France,
    2016,
    (94 mins)
    Born in France to Senegalese parents, Alice Diop (Saint Omer) brings a unique perspective to migrant and Black diaspora experience. Influenced by Jean Rouch and Frederick Wiseman, she makes films that bring those on the periphery to the center. 
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    7 PM
    • Film
    • In-Person
    Thursday, March 2, 2023
    7 PM
    Donagh Coleman ,
    Estonia, Finland, Ireland,
    2022,
    (91 mins)

    Copresented with the Center for Buddhist Studies and the UC Berkeley Anthropology Department, cosponsored by the Institute for South Asia Studies and the Himalayan Studies Initiative

    In what Tibetans call tukdam, deceased meditators have shown no signs of death for days or weeks. Juxtaposing ground-breaking scientific research and Tibetan perspectives, this creative documentary challenges our notion of life and death—and where we draw the line between them.

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    In Conversation
    • Donagh Coleman
      Donagh Coleman is a Finnish-Irish-American filmmaker whose award-winning films have received wide international festival and television distribution, with shows at museums like the Museum of Modern Ar
    • David Perlman
      David Perlman, PhD worked ten years in neuroscientist Richie Davidson’s lab, where he designed and managed the first phase of the Tukdam research project.
    • Jacob Dalton
      Jacob Dalton is a professor of Tibetan Studies in the Department of South & Southeast Asian Studies at UC Berkeley.
    Google Calendar
    ICS
    3
    7 PM
    • Film
    • In-Person
    Friday, March 3, 2023
    7 PM
    Cheryl Dunye,
    United States,
    1996,
    (81 mins)

    New Restoration
    BAMPFA Student Committee Pick

    A Black lesbian video store clerk and would-be filmmaker becomes obsessed with an early “race film” star in Dunye’s pioneering “funky screwball comedy in the key of queer” (B. Ruby Rich).
    • Allegra Madsen
      Introduction
      Allegra Madsen is the director of programming at Frameline San Francisco LGBTQ+ Film Festival, the largest and longest-running queer film festival in the world.
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    7 PM
    • Film
    Saturday, March 4, 2023
    7 PM
    Andy Warhol, Chuck Wein,
    United States,
    1965,
    (112 mins)
    Warhol’s brilliantly bitchy masterpiece of voyeurism, desire, and boredom on Fire Island. With shorts by Curt McDowell (Confessions), James Broughton (Testament), and José Rodriguez-Soltero (Jerovi).
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    5 PM
    Sunday, March 5, 2023
    5 PM
    Robert Gardner,
    United States,
    1964,
    (98 mins)
    One of the most influential ethnographic films of the 1960s, Dead Birds is director Robert Gardner’s interpretation of life among the Dani people of West Papua. With shorts from his Baliem Valley 1961 series. 
    • Ernst Karel
      Introduction
      Ernst Karel works in the area of reality-based audio, including sound recording, electroacoustic music, experimental nonfiction sound works for multichannel installation and performance, image-sound c
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    7 PM
    • Film
    • In-Person
    Wednesday, March 8, 2023
    7 PM
    Ernst Karel, Veronika Kusumaryati ,
    United States,
    2020,
    (97 mins)
    This fascinating sonic ethnography, which draws on the audio archive from Robert Gardner’s 1961 expedition to West Papua, is “a mind-expanding inquiry on anthropology” (Manohla Dargis, New York Times).
    • Ernst Karel
      In Person
      Ernst Karel works in the area of reality-based audio, including sound recording, electroacoustic music, experimental nonfiction sound works for multichannel installation and performance, image-sound c
    9
    Thursday, March 9, 2023
    7 PM
    Susan Sollins, Charles Atlas,
    United States,
    2010,
    (77 mins)
    The 2010 documentary William Kentridge: Anything Is Possible offers an excellent orientation to the artist’s work. Paired with six short films by William Kentridge, including his early films, collaborations, and Journey to the Moon, a tribute to the seminal French filmmaker Georges Méliès.
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    Friday, March 10, 2023
    7 PM
    Apichatpong Weerasethakul,
    France, Germany, Malaysia, Thailand, United Kingdom,
    2015,
    (127 mins)
    A strange sleeping sickness befalls a group of soldiers in Weerasethakul’s mesmeric treatise on dreams, history, and magical thinking. “Cinema as the stuff dreams are made of” (Slant Magazine). With The Anthem.
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    Saturday, March 11, 2023
    7 PM
    (83 mins)
    Drawings for Projection is a central project of William Kentridge’s career. The series of eleven animated films, which the artist has been working on for more than thirty years, follows two characters, Soho Eckstein and Felix Teitelbaum, and deals with themes of self-portraiture, memory, loss, cultural displacement, and political oppression.
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    7 PM
    • Film
    Wednesday, March 15, 2023
    7 PM
    Xun Sero,
    Mexico,
    2022,
    (80 mins)
    Mexican Tzotzil filmmaker Xun Sero’s Mamá is “an extraordinarily sensitive first film where both mother and son open a dialogue in an attempt at self-discovery” (HotDocs).
    In-Theater Livestream Conversation
    • Xun Sero
    • Natalia Brizuela
      Natalia Brizuela is the Class of 1930 Chair of the Center for Latin American Studies and a professor in the Departments of Film & Media and Spanish & Portuguese at UC Berkeley.
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    7 PM
    • Film
    • Free
    Thursday, March 16, 2023
    7 PM
    William Kentridge,
    United States,
    2013,
    (121 mins)

    Free Admission

    “Using the Met stage as it is rarely used, [William] Kentridge establishes from the outset a vigorously multidimensional environment, defined in equal measure by verticals and horizontals, by flat graphic surfaces and the deep space of the rear stage. . . . If Kentridge’s Nose was so immensely satisfying it was at least in part because of its deep connection to the inexorable, irrational logic of Gogol’s tale” (Geoffrey O’Brien, New York Review of Books).

    Free admission. Tickets available at the admissions desk beginning at 6 PM.

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    7 PM
    • Film
    • In-Person
    Friday, March 17, 2023
    7 PM
    Lizzie Borden,
    United States,
    1986,
    (91 mins)

    BAMPFA Student Committee Pick

    Sidestepping clichéd approaches to sex work perpetuated by mainstream films—which fetishize, romanticize, and/or pathologize prostitution—Lizzie Borden matter-of-factly documents the details of a day in the life of a sex worker at a Manhattan brothel. 
    • Lizzie Borden
      In Person
    18
    4:30 PM
    • Film
    Saturday, March 18, 2023
    4:30 PM
    Beatriz Santiago Muñoz,
    Puerto Rico,
    2022,
    (101 mins)
    In Beatriz Santiago Muñoz’s most recent film, Monique Wittig’s experimental novel Les Guérillères is transported to Puerto Rico following Hurricane Maria. With shorts by Theresa Hak Kyung Cha (Mouth to Mouth) and Vivienne Dick (Staten Island).
    7:30 PM
    • Film
    • In-Person
    Saturday, March 18, 2023
    7:30 PM
    Lizzie Borden,
    United States,
    1983,
    (80 mins)

    Restored 35mm Print

    “This explosive work offers a speculative, feminist polemic set in a potential future that mirrors both the present in which it was made and ours. . . . [Lizzie] Borden’s fevered 1983 film is absolutely one we should be watching right now” (Yasmina Price, Vulture). 
    In Conversation
    • Lizzie Borden
    • Mel Y. Chen
      Mel Y. Chen is an associate professor of Gender & Women’s Studies at UC Berkeley and Director of the Center for the Study of Sexual Culture.
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    4 PM
    • Film
    • In-Person
    Sunday, March 19, 2023
    4 PM
    Lizzie Borden,
    United States,
    1976,
    (80 mins)

    New Restoration

    “Combative, entropic, mesmerizing, Lizzie Borden’s first film, the shape-shifting documentary Regrouping, is a chronicle of a women’s collective” (Melissa Anderson, 4Columns).
    • Lizzie Borden
      In Person
    7 PM
    Sunday, March 19, 2023
    7 PM
    Bill Sherwood,
    United States,
    1986,
    (129 mins)

    New Restoration
    BAMPFA Student Committee Pick

    Several friends and lovers navigate friendship and romance in this joyful, independent look at gay life and love. A snapshot of a funky, proud, defiantly gay 1986 New York City. With shorts by Jim Hubbard (Memento Mori) and Peggy Rajski (Trevor).
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    Wednesday, March 22, 2023
    7 PM
    Billy Woodberry,
    Portugal, United States,
    2015,
    (110 mins)
    Billy Woodberry’s “daring and accomplished documentary” (New Yorker) of Bob Kaufman, one of the most overlooked of the Beat Generation artists, is lovingly assembled from archival footage, documents, and interviews. With an homage to Ousmane Sembène’s Black Docker.
    • Billy Woodberry
      In Person
      Les Blank Lecturer
    23
    Thursday, March 23, 2023
    7 PM
    Apichatpong Weerasethakul,
    Thailand,
    2000,
    (132 mins)
    A film crew heads from Bangkok to the hinterlands of Thailand, asking people to continue improvising a story in this bewitching relocation of the surrealist exquisite corpse game. “Rarely has a first feature been more aptly titled” (Dennis Lim). With Worldly Desires.
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    7 PM
    • Audio Description
    • Closed Captioned
    • Film
    • In-Person
    Friday, March 24, 2023
    7 PM
    Kelly Reichardt,
    United States,
    2022,
    (108 mins)

      Closed captioned   Audio description

    Michelle Williams stars as a grad student/sculptor balancing work, life, and art making at a small liberal arts college in Portland. Costarring André “3000” Benjamin and Hong Chau. “Beautifully crafted” (Screen International).

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    • Kelly Reichardt
      In Person
    Google Calendar
    ICS
    25
    Saturday, March 25, 2023
    4:30 PM
    (79 mins)
    This eclectic set of short films relates in part to William Kentridge’s work for theater, opera, and gallery installation, while displaying the importance of variations in his artistic practice and themes related to South African and world history, language, science, and the arts.
    7 PM
    • Audio Description
    • Closed Captioned
    • Film
    • In-Person
    Saturday, March 25, 2023
    7 PM
    Kelly Reichardt,
    United States,
    2019,
    (121 mins)

    BAMPFA Student Committee Pick

      Closed captioned   Audio description

    An itinerant cook and a Chinese immigrant in the nineteenth-century Pacific Northwest embark on an unlikely bovine-related business venture in this reinvention of Old West mythos, populated by those too often written out of its history. “A fable of land and freedom” (Observer UK).

    A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

    In Conversation
    • Kelly Reichardt
    • Nicolás Pereda
      Nicolás Pereda is a filmmaker and assistant professor of Film & Media at UC Berkeley.
    Google Calendar
    ICS
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    12:30 PM
    • Film
    • Free
    Sunday, March 26, 2023
    12:30 PM
    William Kentridge, Luc de Wit,
    United States,
    2015,
    (202 mins)

    Free Admission

    Lulu, one of the great operas of the twentieth century, written by Alban Berg in the late 1920s and early 1930s, deals with themes of fragility, impossibility, and the fragmentation of desire. William Kentridge’s stage design employs hand-drawn animated projections done in a German Expressionist style. Starring Marlis Petersen in the title role.

    Free admission. Tickets available at the admissions desk beginning at 11:30 AM.

    Presented with a 10-minute intermission

    5 PM
    • Closed Captioned
    • Film
    Sunday, March 26, 2023
    5 PM
    Kelly Reichardt,
    United States,
    2016,
    (107 mins)

      Closed captioned  

    Present-day Montana provides the possibly unlikely setting for this investigation of the gap between women’s desires and their less hopeful realities. With Laura Dern, Lily Gladstone, Kristen Stewart, Michelle Williams. Adapted from stories by Maile Meloy.  
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    7 PM
    Wednesday, March 29, 2023
    7 PM
    Billy Woodberry,
    United States,
    1983,
    (97 mins)

    New 35mm Print

    “Billy Woodberry’s dramatic feature looks deeply into the life of one family in Watts and plots its crisis in three dimensions: race, money, and gender. . . . Woodberry crafts a passionately pensive realism” (New Yorker). With The Pocketbook, an adaptation of a Langston Hughes story.
    • Billy Woodberry
      In Person
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    7 PM
    Thursday, March 30, 2023
    7 PM
    Apichatpong Weerasethakul,
    France, Germany, Italy, Thailand,
    2004,
    (118 mins)
    This shape-shifting blend of modern romance and mystic parable ventures deep into the Thai jungle of myth. “A work of outstanding originality and power” (Sight & Sound).
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    7 PM
    Friday, March 31, 2023
    7 PM
    Kelly Reichardt,
    United States,
    2010,
    (104 mins)

    BAMPFA Collection

    Three strong women and an assortment of men head west on the Oregon Trail in Reichardt’s feminist Western, starring Michelle Williams and Zoe Kazan.
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    7 PM
    Saturday, April 1, 2023
    7 PM
    Kira Muratova,
    Ukraine, USSR,
    1967,
    (96 mins)
    A love triangle of sorts forms between a harried city functionary, her maid, and an absent, wandering husband (seen only in flashbacks) in Kira Muratova’s impressionist new-wave work, banned for twenty years. Russian folk singer/cult hero Vladimir Vysotsky costars.