Konchalovsky’s first feature, set in a Kirghiz village shortly after the Revolution. “Expressed with a deft simplicity of style and a rare quality of emotion” (Michel Ciment).
Two of the French New Wave’s most iconic actors, Jean-Paul Belmondo and Emmanuelle Riva, star as a cleric and a Communist drawn together through love. “A triumph of mood, setting, and innuendo” (Criterion Collection).
As part of Canyon Cinema’s fiftieth-anniversary celebrations, Gehr makes a rare visit to the Bay Area to present a selection of his recent digital films: Picture Taking, Autumn, Transport, and A Commuter’s Life (What a Life!).
In Conversation
Ernie Gehr
Ken Eisenstein
Ken Eisenstein is an Assistant Professor at Bucknell University.
Kurosawa charts corporate evil as a company is torn from within by scandal, greed, and lust. “Enron meets Hamlet” (Film Forum). “Better than Shakespeare” (Francis Ford Coppola).
A beatific housewife, a smitten husband, and a trail of dead spouses dwell in an isolated Connecticut house in this gothic tale of “disordered emotions.”
Detective Dana Andrews is enthralled by a portrait of elusive Gene Tierney in Preminger’s sleek noir, a study in duplicity that asks not just whodunit, but what “it” is. Featuring Clifton Webb and Vincent Price as preening rivals.
Mifune is a sly, amoral mercenary in a town ruled by killers in Kurosawa’s tongue-in-cheek anti-epic. “A visually faultless and highly sophisticated satire on violence and human weakness” (Sight and Sound).
Steven Okazaki
Introduction
Steven Okazaki is an Academy Award–winning Bay Area filmmaker and the director of Mifune: The Last Samurai. Note: Okazaki introduces the July 22 screening only.