This array of innovative nonfiction films documents the labor of truckers, models, cowboys, and a Palestinian photojournalist, and chronicles war and resistance, colonialism, climate, and more. With filmmakers Reid Davenport, Lucrecia Martel, Amy Reid, and Jeffrey Skoller in person.
Organized with the support of the UC Berkeley Center for the Science of Psychedelics, this kaleidoscopic array of movies explores expanded or enhanced consciousness, psychedelic experiences, and the means of getting there.
The New German Cinema movement began in the mid-1960s and continued through the 1980s, bringing an awakening of form, style, and expression of the postwar German experience. Rainer Werner Fassbinder was a driving force behind the movement; we showcase a selection of his films alongside those of his fellow West German filmmakers.
Join us for a rare visit by celebrated Iranian filmmaker and screenwriter Rakhshan Banietemad, who will be in person April 22–23 to speak about her work in both documentary and feature filmmaking. Also screening are three classic films made by filmmakers associated with the Iranian New Wave.
Coming-of-age stories and portraits of dynamic cities in transition anchor this year’s African Film Festival, with stories from across Africa and its global diaspora, from the coasts of Kenya to the cityscapes of Lagos and Cayenne, French Guiana, Mali, and Chicago.
In a roundtable on Alain Resnais’s Hiroshima mon amour published in the Cahiers du cinéma in 1959, Jacques Rivette suggested that “the problems Resnais sets himself in film are parallel to those that [Igor] Stravinsky sets himself in music.” This series will investigate what Rivette may have been getting at in linking Resnais to the great modernist composer—and will show that the French cinema of the early 1960s was just as playful in its approach to sound as to image.
Pairing works from Theresa Hak Kyung Cha’s studies in film with the artist’s own experiments in film and video, Sentimental Education: Theresa Hak Kyung Cha at the Pacific Film Archive maps the global cinematic influences on a remarkably singular artist.
In conjunction with the acclaimed director’s residency at UC Berkeley, BAMPFA presents Lucrecia Martel: Un destino común, a retrospective of her films, including short films rarely seen on the big screen and her 2025 documentary, Our Land/Nuestra Tierra.
Recent releases, restored classics, and special guests grace the Barbro Osher Theater.