Band of Outsiders: Women Crime Writers
June 29–August 17, 2017
Adaptations of tales by Patricia Highsmith, Vera Caspary, Dorothy B. Hughes, and others reveal the dark side of "women's writing."
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Films - Past
Films - Past
Events
Past Films
The Reckless Moment
Max Ophuls
United States, 1949Based on The Blank Wall by Elizabeth Sanxay Holding
Thursday, June 29 7 PMView DetailsHousewife Joan Bennett must cope with a killing, blackmail, and the everyday pressures of domesticity in this stunning suburban noir. “An underrated gem” (Phillip Lopate).
Strangers on a Train
Alfred Hitchcock
United States, 1951BAMPFA Student Committee Pick
Based on the novel by Patricia HighsmithSaturday, July 1 5:30 PMView DetailsA tennis star and a stranger offer to kill off each other’s relatives in Hitchcock’s polished adaptation (cowritten by Raymond Chandler). “A gripping, palm-sweating piece of suspense” (Variety).
Purple Noon
René Clément
France, 1959Based on The Talented Mr. Ripley by Patricia Highsmith
Saturday, July 1 8:15 PMView DetailsClément’s adaptation is a dazzling sea-blue film noir starring Alain Delon as an idle, lethal young American in Europe.
The Blue Gardenia
Fritz Lang
United States, 1953Based on “The Gardenia” by Vera Caspary
Wednesday, July 5 7 PMView DetailsSwitchboard operator flatmates Anne Baxter, Ann Sothern, and Jeff Donnell mix with predatory sketch artist Raymond Burr and cynical newspaperman Richard Conte in Lang’s combination of women’s picture and film noir.
Daisy Kenyon
Otto Preminger
U.S., 1947Studio Vault Print
Based on the novel by Elizabeth JanewaySunday, July 9 6:45 PMView DetailsJoan Crawford is torn between married lawyer Dana Andrews and tormented army gunner Henry Fonda. “That rarest of Hollywood entities: a realist romance” (Los Angeles Times).
Night Nurse
William Wellman
United States, 1931Based on the novel by Dora Macy (Grace Perkins)
Thursday, July 13 7 PMView DetailsBarbara Stanwyck and Joan Blondell expose Hippocratic hypocrisy—and plenty of skin—in this medical melodrama, also featuring Clark Gable.
Bedelia
Lance Comfort
United Kingdom, 1946Archival Print
Based on the novel by Vera CasparyFriday, July 21 6:30 PMView DetailsA beatific housewife, a smitten husband, and a trail of dead spouses dwell in an isolated Connecticut house in this gothic tale of “disordered emotions.”
Laura
Otto Preminger
United States, 1944Based on the novel by Vera Caspary
Friday, July 21 8:30 PMView DetailsDetective Dana Andrews is enthralled by a portrait of elusive Gene Tierney in Preminger’s sleek noir, a study in duplicity that asks not just whodunit, but what “it” is. Featuring Clifton Webb and Vincent Price as preening rivals.
The Fool Killer
Servando González
United States, 1965Based on the novel by Helen Eustis
Sunday, July 23 7 PMView DetailsIn post–Civil War Tennessee, a young boy escapes abuse at home only to encounter Americana gone berserk in this eerily faithful rendering of Eustis’s novel. Anthony Perkins costars.
Don’t Bother to Knock
Roy Ward Baker
United States, 1952Based on Mischief by Charlotte Armstrong
Friday, July 28 7 PMView DetailsMarilyn Monroe and Richard Widmark make an unstable pair in this psychological thriller involving a suicidal young woman and the jaded pilot who hopes to use her as a quick fling.
Ride the Pink Horse
Robert Montgomery
United States, 1947Based on the novel by Dorothy B. Hughes
Friday, August 4 6:30 PMView DetailsLuckless veteran Robert Montgomery heads for a border town during its annual fiesta to avenge a friend’s death in this atmospheric postwar noir scripted by Ben Hecht.
The Hanged Man
Don Siegel
United States, 1964New Print
Based on Ride the Pink Horse by Dorothy B. HughesFriday, August 4 8:40 PMView DetailsSiegel provides his usual tense, no-nonsense direction in this early made-for-TV movie adaptation of Ride the Pink Horse, starring Robert Culp and set in New Orleans. With Astrud Gilberto and Stan Getz in performance.
In a Lonely Place
Nicholas Ray
United States, 1950Archival Print
Based on the novel by Dorothy B. HughesFriday, August 11 6:30 PMView DetailsHumphrey Bogart and Gloria Grahame forge a fragile romance in Hollywood. “Never were despair and solitude so romantically alluring” (Time Out).
The Breach
Claude Chabrol
France, 1970Based on The Balloon Man by Charlotte Armstrong
Sunday, August 13 7 PMView DetailsA young woman is gaslighted by her scheming in-laws after trying to leave her mentally unstable husband in Chabrol’s powerful noir. “Chabrol’s most audacious experiment with narrative form—a modernist reworking of the melodrama” (Dave Kehr).
Band of Outsiders
Jean-Luc Godard
France, 1964Digital Restoration
Based on Fools’ Gold by Dolores HitchensThursday, August 17 7 PMView DetailsAnna Karina, Sami Frey, and Claude Brasseur are unlikely burglars in Godard’s “reverie of a gangster movie” (Pauline Kael).















