Performance: Embodied Human Landscapes
Suchi Branfman presents two dance works from a series exploring embodied human landscapes that surround the prison industrial complex, the result of her choreographic residency at California Rehabilitation Center, a medium-security state men's prison in Norco, California.
Angee’s Journey retraces a mother’s path to visit her son during his fourteen-year incarceration: four trains, five buses, two cabs, and twelve hours each way. Choreographed by Suchi Branfman and Ernst Fenelon Jr., whose mother made the arduous journey, and performed by Branfman and Fenelon along with members of Fenelon’s family and a chorus of dancers (Cynthia Irobunda, Amy Oden, and Anna Paz), this thirty-minute piece honors the thousands of women that persist in supporting their incarcerated sons and daughters, fathers and mothers, sisters and brothers.
Janie is an intimate performance piece inspired by the true stories of MaryJane, also known as The Bird Lady, who rescues and raises birds inside a women’s maximum-security prison in Southern California. With text drawn from interviews conducted inside the prison, the work is created and performed by Suchi Branfman and visual artist Lukaza Branfman-Verissimo.