January 2026

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Sunday, December 28, 2025
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Monday, December 29, 2025
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Tuesday, December 30, 2025
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Wednesday, December 31, 2025
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Thursday, January 1, 2026
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Friday, January 2, 2026
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Saturday, January 3, 2026
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Sunday, January 4, 2026
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Monday, January 5, 2026
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Tuesday, January 6, 2026
BAMPFA will be CLOSED December 22, 2025–January 4, 2026 for winter break. Find our full hours at bampfa.org/visit
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Wednesday, January 7, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
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Thursday, January 8, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
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Friday, January 9, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
2 PM–5 PM
Friday, January 9, 2026
2 PM–5 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
7 PM
  • Film
  • In-Person
Friday, January 9, 2026
7 PM
Wong Kar Wai,
Hong Kong,
2000,
(107 mins)
This twenty-first-century classic set in the early 1960s distills the essence of romance and melancholy, with gorgeous neighbors (Maggie Cheung and Tony Leung Chiu-wai) “in the mood for love,” yet too proper to act on it.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Weihong Bao
    Introduction
    Weihong Bao is an Associate Professor in the Department of Film & Media at UC Berkeley.
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10
Saturday, January 10, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
11 AM–5 PM
Saturday, January 10, 2026
11 AM–5 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
Saturday, January 10, 2026
4 PM
Lewis Milestone,
United States,
1946,
(116 mins)

Digital Restoration

This masterful psychological noir thriller directed by Lewis Milestone stars a fiery Barbara Stanwyck. The screenplay by Robert Rossen is tight, tough, and cynical.
6:30 PM
Saturday, January 10, 2026
6:30 PM
Wong Kar Wai,
Hong Kong,
1988,
(102 mins)

4K Digital Restoration

Described by Wong Kar Wai as “a tragic study of little people in a big city,” his first feature provided enough fistfights and street battles to please audiences while debuting the mood-drenched atmospherics and unabashed romanticism that would define his career.
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Sunday, January 11, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
11 AM–5 PM
Sunday, January 11, 2026
11 AM–5 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
1:30 PM
Sunday, January 11, 2026
1:30 PM
Akira Kurosawa,
Japan,
1958,
(139 mins)

4K Digital Restoration

Toshiro Mifune swashbuckles his way through this supremely entertaining samurai adventure, the plot inspiration for Star Wars.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

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4:30 PM
Sunday, January 11, 2026
4:30 PM
Youssef Chahine,
Egypt,
1958,
(100 mins)

4K Digital Restoration

Combining Italian neorealism, Egyptian romanticism, and overheated film noir, Cairo Station is unlike anything anyone had seen in 1958, or indeed today. With short Cairo as Seen by Chahine.
7 PM
  • Film
  • In-Person
Sunday, January 11, 2026
7 PM
Wong Kar Wai,
Hong Kong,
1990,
(94 mins)

4K Digital Restoration

Also screens on Sunday, February 22 (without an introduction).

A haunting paean to memory, love, and longing, set during a long and sweltering Hong Kong summer, Wong Kar Wai’s first collaboration with cinematographer Christopher Doyle was a winner of five Hong Kong Film Awards.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Andrew F. Jones
    Introduction
    Andrew F. Jones is Professor and Louis B. Agassiz Chair in Chinese in the Department of East Asian Languages and Cultures, UC Berkeley.
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Wednesday, January 14, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
Wednesday, January 14, 2026
12:15 PM
Graduate students from the Departments of History of Art and Film & Media offer tours of Object Oriented on Wednesdays at 12:15 PM and Sundays at 2 PM.

Included with admission.

7 PM
  • Film
Wednesday, January 14, 2026
7 PM
Luis Buñuel,
Mexico, Spain,
1961,
(90 mins)

4K Digital Restoration

Viridiana (Silvia Pinal) dreams of becoming a nun until the attentions of her lecherous uncle change her path. Luis Buñuel’s irreverent vision of life as a beggar’s banquet is regarded by many as his masterpiece.
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Thursday, January 15, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
7 PM
  • Film
Thursday, January 15, 2026
7 PM
Frederick Wiseman,
United States,
1975,
(167 mins)

4K Digital Restoration

Frederick Wiseman’s ongoing study of bureaucracy takes on epic proportions in Welfare, giving subtle structure to the chaos of stories in a New York City welfare center. “Wiseman’s probing, empathetic closeups reflect the clamor and the complexity of the city at large” (Richard Brody, New Yorker).
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Friday, January 16, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
2 PM–5 PM
Friday, January 16, 2026
2 PM–5 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
7 PM
  • Film
  • In-Person
  • Performance
Friday, January 16, 2026
7 PM
Mauritz Stiller,
Sweden,
1920,
(86 mins)

Imported 35mm Print

Erotikon is set entirely in an urban milieu and openly challenges social taboos in the story of a wife simultaneously courting two lovers in a comic portrayal of love and infidelity.
  • Jon Wengström
    Introduction
    Jon Wengström is Senior Curator of the Archival Film Collections at the Swedish Film Institute (Stockholm) and an expert on Swedish silent cinema.
  • Judith Rosenberg
    On Piano
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Saturday, January 17, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
11 AM–5 PM
Saturday, January 17, 2026
11 AM–5 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
Saturday, January 17, 2026
4 PM
(90 mins)

Free admission. Tickets available at the admissions desk beginning at 3 PM.

A ninety-minute illustrated lecture with clips, rare shorts, and fragments that put Victor Sjöström and his films into context, as well as sketch out his career both as a director and as an actor.

Free admission. Tickets available at the admissions desk beginning at 3 PM.

  • Jon Wengström
    Illustrated Lecture
    Jon Wengström is Senior Curator of the Archival Film Collections at the Swedish Film Institute, Stockholm, and an expert on Swedish silent cinema.
6:30 PM
  • Film
  • In-Person
Saturday, January 17, 2026
6:30 PM
François Truffaut,
France,
1959,
(99 mins)
Jean-Pierre Léaud plays François Truffaut’s alter ego, Antoine Doinel, in the quintessential coming-of-age film, a lyrical but unsentimental portrait of adolescence and of Paris.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Laura Truffaut
    Introduction and Post-Screening Discussion
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Sunday, January 18, 2026
As part of our seasonal hours, the BAMPFA galleries and store will close early at 5 PM on select days during the winter.
11 AM–5 PM
Sunday, January 18, 2026
11 AM–5 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
1 PM
  • Film
  • In-Person
  • Performance
Sunday, January 18, 2026
1 PM
(126 mins)
Ingeborg Holm is one of Sweden’s first social protest films and a masterpiece of prewar cinema. Preceded by queer-themed The Wings, a very free adaptation of Mikaël, a novella by Danish writer Herman Bang.
  • Jon Wengström
    Introduction
    Jon Wengström is Senior Curator of the Archival Film Collections at the Swedish Film Institute (Stockholm) and an expert on Swedish silent cinema.
  • Judith Rosenberg
    On Piano
4 PM
  • Film
Sunday, January 18, 2026
4 PM
Frederick Wiseman,
United States,
1986,
(132 mins)

4K Digital Restoration

In the Alabama Institute for the Deaf and Blind, Frederick Wiseman found both rich subject matter and an opportunity to provide deeper, reflexive consideration of the use of image and sound in his process. “A deeply moving experience—one containing more joy than heartbreak” (Terry Atkinson, Los Angeles Times).
7 PM
  • Film
  • In-Person
Sunday, January 18, 2026
7 PM
Wong Kar Wai,
Hong Kong,
1994,
(102 mins)

4K Digital Restoration

Also screens on Saturday, February 28 (without an introduction).

Filmed in the middle of the making of Ashes of Time, Chungking Express is a cop movie and a mesmerizing jolt of Hong Kong’s energy, romance, and style, framed by Christopher Doyle’s lyrically kinetic cinematography. 

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Weihong Bao
    Introduction
    Weihong Bao is an Associate Professor in the Department of Film & Media at UC Berkeley.
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7 PM
  • Film
  • In-Person
  • Performance
Wednesday, January 21, 2026
7 PM
Victor Sjöström,
Sweden,
1918,
(110 mins)

Imported 35mm Print

A thief, a young widow, and their love outside the law: “Without a doubt the most beautiful film in the world!” declared French avant-gardist Louis Delluc.
  • Jon Wengström
    Jon Wengström is Senior Curator of the Archival Film Collections at the Swedish Film Institute (Stockholm) and an expert on Swedish silent cinema.
  • Judith Rosenberg
    On Piano
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7 PM
  • Film
  • In-Person
Thursday, January 22, 2026
7 PM
François Truffaut,
France,
1968,
(123 mins)
Jean-Pierre Léaud as François Truffaut’s quintessential dreamer Antoine Doinel, flitting through 1968 Paris in search of love and livelihood. With short Antoine and Colette.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Laura Truffaut
    Introduction and Post-Screening Discussion
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Friday, January 23, 2026
11 AM–7 PM

For BAMPFA members and UC Berkeley students, faculty, and staff.

BAMPFA members and UC Berkeley students, faculty, and staff enjoy early access to the new exhibition Theresa Hak Kyung Cha: Multiple Offerings.
2 PM–7 PM
Friday, January 23, 2026
2 PM–7 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
4 PM
  • Film
Friday, January 23, 2026
4 PM
Akira Kurosawa,
Japan,
1952,
(143 mins)

4K Digital Restoration

In Akira Kurosawa’s humanist masterpiece, an ordinary civil servant discovers what it means to live. This Japanese everyman was perhaps Takashi Shimura’s greatest role.
Friday, January 23, 2026
7 PM
Wong Kar Wai,
Hong Kong,
1994/2008,
(100 mins)
Featuring a who’s who of Hong Kong superstars, Wong Kar Wai’s dreamy take on the martial arts genre (choreographed by the legendary Sammo Hung), follows a desert loner who connects swordsmen to vengeance seekers, looking for either blood or love.
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Saturday, January 24, 2026
BAMPFA galleries will open late at 1 PM on Saturday, January 24.
1:30 PM–7 PM
Saturday, January 24, 2026
1:30 PM–7 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
Saturday, January 24, 2026
2 PM

Presented in partnership with UC Berkeley's Center for Korean Studies

Artist Jesse Chun presents the inaugural activation of her new performance series 시( )nawi( )fugue in a collective, improvisational reading that invokes artistic matriarchs and cultivates spiritual kinship across generations.

Included with admission.

Series Performances
4 PM
Saturday, January 24, 2026
4 PM
Yves Allégret,
France,
1949,
(91 mins)

Digital Restoration

“Marvelously photographed by Henri Alekan and arguably Gérard Philipe’s finest study of romantic despair” (David Thomson, Biographical Dictionary of Film).
  • Polina Barskova
    Introduction on January 24
    Polina Barskova is an Associate Professor in the Department of Slavic Languages and Literatures at UC Berkeley.
6:30 PM
Saturday, January 24, 2026
6:30 PM
Wong Kar-wai,
Hong Kong,
1995,
(99 mins)

4K Digital Restoration

In this ode to nocturnal Hong Kong, a disillusioned contract killer falls for his partner. “A pyrotechnical wonder about mystery, solitude, and the irrational love of movies” (J. Hoberman), Fallen Angels “takes every risk known to filmmaking, and succeeds triumphantly” (Sight and Sound). 

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

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Sunday, January 25, 2026
11 AM–7 PM

Free gallery admission all day

Join us for the opening day of Theresa Hak Kyung Cha: Multiple Offerings with free gallery admission for all!
11 AM–7 PM
Sunday, January 25, 2026
11 AM–7 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
11:30 AM–2 PM
  • Art
  • Families
  • Free
Sunday, January 25, 2026
11:30 AM–2 PM
Drop in and make art in BAMPFA’s Crane Forum space, next to the Art Wall. Materials will be provided.
3:30 PM
  • Film
  • In-Person
Sunday, January 25, 2026
3:30 PM
François Truffaut,
France,
1962,
(106 mins)
François Truffaut’s portrayal of an early twentieth-century love triangle with Jeanne Moreau at its apex is “full of wit and radiance” (Pauline Kael). 
  • Laura Truffaut
    Introduction and Post-Screening Discussion
  • Aner Preminger
    Moderator
    Aner Preminger is a Visiting Professor at UC Berkeley and the author of François Truffaut: Cinema as an Act of Love—An Intertextual Approach.
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7 PM
  • Film
  • In-Person
Sunday, January 25, 2026
7 PM
Wong Kar Wai,
Hong Kong,
1997,
(96 mins)

4K Digital Restoration

Also screens on Friday, February 13 (with an introduction by Iggy Cortez).

Hong Kong superstars Leslie Cheung and Tony Leung Chiu-wai play expat lovers adrift in Buenos Aires. Simultaneously bruising and yearning, Happy Together is “a take-no-prisoners movie that’s the very antithesis of sentimental gay love stories” (Kenneth Turan).

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Daniel O’Neill
    Introduction
    Daniel O’Neill is an Associate Professor of East Asian Languages and Cultures at UC Berkeley.
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Wednesday, January 28, 2026
12:15 PM
Graduate students from the departments of Art History, English, and Ethnic Studies offer tours of Theresa Hak Kyung Cha: Multiple Offerings on select Wednesdays at 12:15 PM, Sundays at 2 PM, and First First Thursdays at 1:15 PM.

Included with admission.

7 PM
  • Film
  • In-Person
  • Performance
Wednesday, January 28, 2026
7 PM
Mauritz Stiller,
Sweden,
1919,
(109 mins)

Digital Restoration

This tinted restoration illuminates the tension between the exquisite attention to textural detail and the ghostly immaterial special effects in some of the most spectacular scenes and images in the history of Swedish silent cinema.
  • Linda Haverty Rugg
    Introduction
    Linda Haverty Rugg is Professor Emerita in the Department of Scandinavian at UC Berkeley.
  • Judith Rosenberg
    On Piano
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7 PM
  • Film
  • In-Person
Thursday, January 29, 2026
7 PM
François Truffaut,
France,
1964,
(117 mins)
A mild-mannered, middle-aged married academic juggles his modern literature lectures with afternoon trysts with a stewardess in François Truffaut’s elegant, oft-overlooked critique of the philandering class, made with a Hitchcockian lightness of touch and pace. An “astute dissection of middle-class mores” (BFI).

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Laura Truffaut
    Introduction and Post-Screening Discussion
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2 PM–7 PM
Friday, January 30, 2026
2 PM–7 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
4 PM
  • Film
  • In-Person
Friday, January 30, 2026
4 PM
Wong Kar Wai,
Hong Kong,
2000,
(107 mins)

4K Digital Restoration, 25th Anniversary Edition

Also screens on Friday, January 9 (with an introduction by Weihong Bao) and Saturday, February 14 on 35mm (without the short film).

This twenty-first-century classic set in the early 1960s distills the essence of romance and melancholy, with gorgeous neighbors (Maggie Cheung and Tony Leung Chiu-wai) “in the mood for love,” yet too proper to act on it.

A limited number of wheelchair accessible spaces may still be available for this screening. Please contact bampfa@berkeley.edu if you would like a ticket for a wheelchair accessible space.

  • Daniel O’Neill
    Introduction
    Daniel O’Neill is an Associate Professor of East Asian Languages and Cultures at UC Berkeley.
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7 PM
Friday, January 30, 2026
7 PM
(75 mins)
The first four films in Robert Beavers’s extraordinary cycle encompass elements of self-portraiture, eroticism, and charged allusion, including Early Monthly Segments and Winged Dialogue, filmed when Beavers was eighteen and nineteen years old, which depict the filmmaker and his companion Gregory J. Markopoulos.
In Conversation
  • Robert Beavers
  • Rebekah Rutkoff
    Rebekah Rutkoff is the author of Double Vision: The Cinema of Robert Beavers (2024).
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11 AM–7 PM
Saturday, January 31, 2026
11 AM–7 PM

Drop-in Art Making!

The museum’s popular Fisher Family Art Lab welcomes drop-in visitors of all ages to explore their creativity through hands-on artmaking.
2 PM
Saturday, January 31, 2026
2 PM
(70 mins)
Three films from Robert Beavers’s eighteen-film cycle, originally filmed in 1970 and remastered in 2001.
In Conversation
  • Robert Beavers
  • Rebekah Rutkoff
    Rebekah Rutkoff is the author of Double Vision: The Cinema of Robert Beavers (2024).
4:30 PM
Saturday, January 31, 2026
4:30 PM
(61 mins)
In these two nuanced and structurally self-reflexive works, From the Notebook of . . . and The Painting, Robert Beavers contemplates the world around him and reflects on the nature and processes of art.
In Conversation
  • Robert Beavers
  • Christopher Scott
    Christopher Scott is a Lecturer in Comparative Literature at UC Berkeley.
7 PM
  • Film
Saturday, January 31, 2026
7 PM
Wong Kar Wai,
Hong Kong,
2004,
(59 mins)

4K Digital Restoration

Arguably Wong Kar Wai’s forgotten masterpiece, The Hand is a key bridge between In the Mood for Love and 2046 that weaves desire, longing, and the melancholy of unattainable beauty into a concise pattern. Preceded by I Travelled 9000 km to Give It to You.