BAMPFA

Streaming Films

We Have Boots

Your Day Is My Night

Oliver Sacks: His Own Life

Buoyancy

Song Without a Name

Irmi

Edo Avant Garde

RBG

Virtual Exhibitions

Rosie Lee Tompkins: A Retrospective

Art Wall: Edie Fake

Orbits of Known and Unknown Objects: SFAI Histories / MATRIX 277

Ron Nagle: Handsome Drifter

Catherine Opie: Political Landscapes

When All That Is Solid Melts into Air

Lands of Promise and Peril: Geographies of California

Divine Women, Divine Wisdom

Online Events

Black Life Podcast: Sanford Jenkins

Views and Voices: Delphine Sims on James Oliver Mitchell’s Portrait of Diane di Prima

Views and Voices: Saffron Sener on Hans Hofmann’s And out of the Caves . . .

Views and Voices: Ramón de Santiago on Ecce Homo (Behold the Man)

ART LAB AT HOME

#1: Stamp and Postcard Making

#2: Printing with Leaves

#3: Paper Plant Making

#4: Camera Obscura

#5 Part 1: Natural Dyeing

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For Families

Virtual Gallery + Studio: Big Colors and Super Drips

Virtual Roundtable Reading Bilingüe: Las brujas / The Witches by Roald Dahl

Virtual Gallery + Studio: Mithila Paintings and Your Sidewalk Stories

Virtual Gallery + Studio: As If by Magic

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News

Julie Rodrigues Widholm Appointed to Lead BAMPFA

Announcing the 2020 Theresa Hak Kyung Cha Fellowship Recipients

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From The Archives

Off the Shelves: Hispanic and Latinx Collection Spotlight

Off the Shelves: Saving Top Value Television (TVTV)

Off the Shelves: Pauline Kael and the Berkeley Cinema Guild

Off the Shelves: Digitizing Filmmaker Recordings from Cassette Tape

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