LEADER 00000cam a22007934a 4500 001 666237312 003 OCoLC 005 20171102114829.0 008 101223s2010 enka b 001 0 eng 010 2010053335 019 688494977|a693517125 020 9781844573158 020 184457315X 020 9781844573141|q(pbk.) 020 1844573141|q(pbk.) 024 8 40018905510 040 DLC|beng|cDLC|dYDX|dBTCTA|dYDXCP|dCDX|dBWX|dDEBBG|dINU |dIAD|dIG#|dYUS|dBDX|dOCLCF|dNYWWB|dCHVBK|dS3O|dOCLCQ|dCTL |dCUY 042 pcc 050 00 PN1995.9.C546|bC63 2010 082 00 791.43/01|222 084 PER004030|aPER004040|aPER004000|2bisacsh 100 1 Coates, Paul,|d1953- 245 10 Cinema and colour :|bthe saturated image /|cPaul Coates. 260 Houndmills, Basingstoke, Hampshire ;|aNew York :|bPalgrave Macmillan,|c2010. 300 178 pages :|bcolor illustrations ;|c26 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 504 Includes bibliographical references and index. 505 00 |tVertigo and yellow --|tGuillermo del Toro and the dialectics of yellow and green --|tGrief and green: Solaris, I lvira Madigan --|tNatural camouflage: Joseph Losey's The Boy With Green Hair --|tGreen unseen: the poetics of absence in The Flight of the Red Ballon -- |tFrom yellow to green (via black): The Double Life of Veronique --|tFrom yellow to blue: three Colours: Blue -- |tThe desert and the beach: Deleuze, Antonioni, Zhang Ke Jia --|tThe painter's primaries and totality: le Mepris -- |tle Mepris 2: the triumph of blue --|tBlue angel, blue devil: Goya in Bordeaux --|tTrapped in blue: la Religieuse --|gC.|tTOUR/OF FOUR D'AMRIQUE --|g6.|tMelos, Drama, Melodrama: From Demy to Sirk to Antonioni --|tIntroduction --|tSingin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain --|tCoupling and uncoupling colours: Une femme est une femme --|tTotally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) --|tA note on melodrama and modernism --|tMelodrama, realism and All That Heaven Allows --|tModernist melodrama? The Oberwald Mystery. 506 Pacific Film Archive collection; non-circulating. |5 CBPF. 520 "A study of the use of color in film, and of the ways in which color has been theorized, both as a concept and specifically in terms of cinema. Paul Coates unpacks the use of color in a diverse range of films such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, and many more"--|cProvided by publisher. 650 0 Colors in motion pictures. 650 0 Color motion pictures. 650 7 PERFORMING ARTS|xFilm & Video|xHistory & Criticism. |2bisacsh 650 7 PERFORMING ARTS|xFilm & Video|xReference.|2bisacsh 650 7 PERFORMING ARTS|xFilm & Video|xGeneral.|2bisacsh 650 7 Color motion pictures.|2fast|0(OCoLC)fst00868590 650 7 Colors in motion pictures.|2fast|0(OCoLC)fst01902853 650 7 Film.|2idszbz 650 7 Filmgestaltung.|2idszbz 650 7 Farbgestaltung.|2idszbz 650 7 Farbe.|2idszbz 650 7 Farbfilm.|2idszbz 650 07 Farbe.|2swd 650 07 Film.|2swd 650 7 Färgfilm.|2sfit 856 41 |3Table of contents|uhttp://catdir.loc.gov/catdir/ enhancements/fy1204/2010053335-t.html 856 42 |3Contributor biographical information|uhttp:// catdir.loc.gov/catdir/enhancements/fy1204/2010053335- b.html 856 42 |3Cover image|uhttp://www.netread.com/jcusers/1388/2300077 /image/lgcover.9781844573141.jpg 856 42 |3Publisher description|uhttp://catdir.loc.gov/catdir/ enhancements/fy1204/2010053335-d.html 956 20171102 |bpfmcq|cCC 957 OCLC xref loaded 20171112 994 C0|bCUY