Title | Film programming : curating for cinemas, festivals, archives |
Item type | Book |
Alternate title | Curating for cinemas, festivals, archives |
Author(s) | Bosma, Peter |
Series | Short cuts (London, England) |
ISBN |
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Volume | 59 |
Language | English |
URL | Link to original record |
Notes |
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Physical description | 144 pages ; 20 cm |
Languages:
Date text:
Publisher:
Subject headings:
Item Type:
Millenium MARC Record:
LEADER 00000cam a2200529Ii 4500
001 910079094
003 OCoLC
005 20161222041605.0
008 150521s2015 nyu b 001 0 eng d
019 900031614
020 0231174594|q(paperback)
020 9780231174596|q(paperback)
040 CDX|beng|erda|cCDX|dOCLCQ|dBTCTA|dBDX|dYDXCP|dGSE|dMUU
|dOCLCF|dFVC|dCUY
050 4 PN1993.4|bB65 2015
082 04 791.4|223
100 1 Bosma, Peter,|eauthor.
245 10 Film programming :|bcurating for cinemas, festivals,
archives /|cPeter Bosma.
246 3 Curating for cinemas, festivals, archives
264 1 New York :|bWallflower, an imprint of Columbia University
Press,|c[2015]
264 4 |c©2015
300 144 pages ;|c20 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 Short cuts series ;|v59
504 Includes bibliographical references (pages 122-135) and
index.
505 0 Reflection -- Cinephilia as a curatorial element -- the
network of intermediaries -- Curating film theatres --
Curating Film festivals -- Curating film archives -- Case
studies -- Conclusion: final words.
506 Pacific Film Archive collection; non-circulating.|5CBPF.
520 "This book explores artistic choices in the field of
cinema exhibition, focusing on film theatres, film
festivals, and film archives, setting the various issues
of film curating in their international context. The
availability of artistic and commercial film has increased
overwhelmingly as a result of the digitization of the
infrastructure of distribution and exhibition; in this
overflow of supply a reasoned and well-grounded selection
is necessary more than ever. The conventional structures
of the film trade are in a process of transformation and,
in the digital age, supply and demand can meet without the
intervention of traditional gatekeepers; everybody can be
a film curator, in a passive or active way. This volume
addresses three kinds of readers: those who want to become
film curators themselves, or do research of the phenomenon
of film curating, and those who are critical cinema
visitors who want to investigate the story behind the
process of selection of the available film supply and the
way to present these films"--Publisher's description.
650 0 Film festival programs.
650 0 Film archives.
650 0 Curatorship.
650 7 Curatorship.|2fast|0(OCoLC)fst01893397
650 7 Film archives.|2fast|0(OCoLC)fst00924254
650 7 Film festival programs.|2fast|0(OCoLC)fst00924265
830 0 Short cuts (London, England) ;|v59.
956 20161222 |bpfmcq|cCC
957 OCLC xref loaded 20170108
994 C0|bCUY