by Bosma, Peter
TitleFilm programming : curating for cinemas, festivals, archives
Item typeBook
Alternate titleCurating for cinemas, festivals, archives
Author(s)Bosma, Peter
SeriesShort cuts (London, England)
ISBN
  • 0231174594
  • 9780231174596
Volume59
LanguageEnglish
URLLink to original record
Notes
  • Includes bibliographical references (pages 122-135) and index.
  • Reflection -- Cinephilia as a curatorial element -- the network of intermediaries -- Curating film theatres -- Curating Film festivals -- Curating film archives -- Case studies -- Conclusion: final words.
  • Pacific Film Archive collection; non-circulating. CBPF.
Physical description144 pages ; 20 cm

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Bosma, Peter
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Millenium MARC Record: 
LEADER 00000cam a2200529Ii 4500 001 910079094 003 OCoLC 005 20161222041605.0 008 150521s2015 nyu b 001 0 eng d 019 900031614 020 0231174594|q(paperback) 020 9780231174596|q(paperback) 040 CDX|beng|erda|cCDX|dOCLCQ|dBTCTA|dBDX|dYDXCP|dGSE|dMUU |dOCLCF|dFVC|dCUY 050 4 PN1993.4|bB65 2015 082 04 791.4|223 100 1 Bosma, Peter,|eauthor. 245 10 Film programming :|bcurating for cinemas, festivals, archives /|cPeter Bosma. 246 3 Curating for cinemas, festivals, archives 264 1 New York :|bWallflower, an imprint of Columbia University Press,|c[2015] 264 4 |c©2015 300 144 pages ;|c20 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 Short cuts series ;|v59 504 Includes bibliographical references (pages 122-135) and index. 505 0 Reflection -- Cinephilia as a curatorial element -- the network of intermediaries -- Curating film theatres -- Curating Film festivals -- Curating film archives -- Case studies -- Conclusion: final words. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 520 "This book explores artistic choices in the field of cinema exhibition, focusing on film theatres, film festivals, and film archives, setting the various issues of film curating in their international context. The availability of artistic and commercial film has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition; in this overflow of supply a reasoned and well-grounded selection is necessary more than ever. The conventional structures of the film trade are in a process of transformation and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers; everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators themselves, or do research of the phenomenon of film curating, and those who are critical cinema visitors who want to investigate the story behind the process of selection of the available film supply and the way to present these films"--Publisher's description. 650 0 Film festival programs. 650 0 Film archives. 650 0 Curatorship. 650 7 Curatorship.|2fast|0(OCoLC)fst01893397 650 7 Film archives.|2fast|0(OCoLC)fst00924254 650 7 Film festival programs.|2fast|0(OCoLC)fst00924265 830 0 Short cuts (London, England) ;|v59. 956 20161222 |bpfmcq|cCC 957 OCLC xref loaded 20170108 994 C0|bCUY