LEADER 00000nam 22003614a 4500 001 61878851 005 20060308 TAPE PRVY0308: 0033 008 060222s2006 kyu b s001 0 eng 009 Reclvl: f Addate: 060222 Addid: INN Moddate: 090123 Modid: MER 010 2005030639 015 GBA584005|2bnb 016 7 013306234|2Uk 020 0813123771 (hardcover : alk. paper) 020 9780813123776 035 (PFA-BOOKS)6853 035 GLADN152014159 040 DLC|cDLC|dUKM|dBAKER|dC#P|dIXA|dSYB|dPUL 042 pcc 050 00 PN1995.9.F54|bP55 2006 082 00 791.43/6552|222 090 PN1995.9.F54|bP55 2006 245 04 The philosophy of film noir /|cedited by Mark T. Conard ; foreword by Robert Porfirio. 260 Lexington :|bUniversity Press of Kentucky,|cc2006. 300 xv, 248 p. ;|c24 cm. 504 Includes bibliographical references and index. 505 00 |tNietzsche and the meaning and definition of noir /|rMark T. Conard --|tA darker shade: realism in neo-noir /|rJason Holt --|tMoral clarity and practical reason in film noir / |rAeon J. Skoble --|tCherchez la femme fatale: the mother of film noir /|rRead Mercer Schuchardt --|tFrom Sherlock Holmes to the hard-boiled detective in film noir /|rJerold J. Abrams --|tFilm noir and the meaning of life /|rSteven M. Sanders --|tThe horizon of disenchantment: film noir, Camus, and the vicissitudes of descent /|rAlan Woolfolk -- |tSymbolism, meaning, and nihilism in Quentin Tarantino's Pulp fiction /|rMark T. Conard --|tFilm noir and the Frankfurt School: America as wasteland in Edgar Ulmer's Detour /|rPaul A. Cantor --|tKnowledge, morality, and tragedy in The killers and Out of the past /|rIan Jarvie - -|tMoral man in the dark city: film noir, the postwar religious revival, and The accused /|rR. Barton Palmer -- |tOn reason and passion in The Maltese falcon /|rDeborah Knight --|tRide the pink horse: money, mischance, murder, and the monads of film noir /|rAlain Silver. 506 Pacific Film Archive collection; non-circulating.|5CBPF. 650 0 Film noir|xHistory and criticism. 700 1 Conard, Mark T.,|d1965- 935 GLADN152014159 935 .b13631974 935 .b13631974 957 OCLC xref loaded 20170416 964 PFA PN1995.9.F54P55 2006. |bCAT/A 991 bb13631974 994 92|bCUY