Some people might live happier ever after if they understood better why the lettrists make these types of movies instead of simply making well-made films, good old war films, tear-jerking love films, gadget-filled science fiction films, action-packed karate films or kung fu films, like Steven Spielmerd, Michael Snuf or Jean-Luc Grolard. Cinema being like god, the lettrists (who, as some anonymous sources indicate, gave it the last blow) have been pissing on its grave ever since 1951, which may explain why their films alone will be remembered by future generations. Anyway, you are cordially invited to contribute to the radical critique of political economy and civilization in general by donating any piece of paper, newspaper clipping, sticker, photograph, slide, piece of film, vinyl record, audio cassette, audio tape, video cassette, compact disc, floppy disc, etc., which you might have in your possession. (Once given, contributions will not be returned.)-The council of the French section of the international front of supercapitalist youths (c)Imagine, infinitesimal film by Albert Dupont, 1978. The Evidence, infinitesimal film by Roland Sabatier, 1966. Vomit Cinema, Spit Cinema, Snot Cinema, Excrement Cinema, Excretion Cinema, esthapeïrist film by Maurice Lemaître, 1980. Like A Silent River: The Happy Deaf and Blind Man's Film, esthapeïrist film by Maurice Lemaître, 1980. To Make a Film, supertemporal film by Maurice Lemaître, 1963. A Super-Commercial Film, infinitesimal and supertemporal film reduced solely to cinema's economic dimension by Roland Sabatier, 1976. Your Film, infinitesimal film by Maurice Lemaître, 1969. A Sentimental Film, esthapeïrist and hyperchronist film by Maurice Lemaître, 1980. Presence(s), imaginary, nonexistent, or impossible infinitesimal film by Frédérique Devaux, 1980. A Film to Be Made, esthapeïrist and hyperchronist film by Maurice Lemaître, 1970. The Supertemporal Film (The Auditorium of Idiots), supertemporal film by Isidore Isou, 1960. Contribution to the Radical Critique of Political Economy and Civilization in General (pseudo-subfuturist plagiarism) (r), by the French section of the international front of supercapitalist youths (c), 1997. Our Cinema, supertemporal film by Maurice Lemaître, 1982. Disco (A Super-Commercial Film), accepted and denied esthapeïrist and supertemporal film by Roland Sabatier, 1978. The Infinite Cinematographic Innovation, supertemporal film by Isidore Isou, 1965. A Film to Take Home, infinitesimal film by Maurice Lemaître, 1979.