“Contains surprising moments of quiet lyricism that suggest Güney was becoming familiar with the cinema of Satyajit Ray and Roberto Rossellini.” Bilge Ebiri, Senses of Cinema

(Seyyit Han). The first film that Güney acknowledged as a fully realized effort, Bride of the Earth stars the director himself as a man separated from his bride-to-be by the superstitions and feudal conditions of rural life. The film's attention to poverty as a barrier to happiness and personal aspiration looks forward to Güney's more overtly political work while demonstrating his eye for striking images, particularly in his dramatic use of landscape, as well as more baroque, almost Bosch-like touches-a woman trapped in a wicker cage, a man in quicksand up to his neck.