Glass Lips

Cinema and video art combine in Majewski's most recent film, a version of his 2006 gallery installation Blood of a Poet that featured thirty-three short video art pieces. Those looking for narrative cohesion can find it, barely, in the framework of a young poet, locked away in a mental asylum, who is haunted by memories of his violent past and abusive father, and who takes refuge in visions of some distant future, where his father lives in a 365-story tower and eats dog food on all fours. Those who choose to revel in Majewski's frequently stunning imagery and brilliant compositions can also find their bliss herein, as can any viewer seeking a surrealism that's as grand and bizarre as anything from The Cremaster Cycle, while also personal, political, and ultimately affecting.

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