From Ericka Beckmann's delightful displacements of the stands in a stadium, The Tension Building, to Bradley Eros's fantastical swamp of etherized color and sound, Aerodynamics of the Black Sun; from Alix Pearlstein's crisp study of fashionable hierarchies in Distance, to Leslie Thornton's Sahara Mojave, a sly critique that equates Hollywood with the continuing colonial project, we witness the pictorial possibilities generated by the handheld as well as the precisely honed.