In his first film, Fellini shared directorial credit with Alberto Lattuada. Critics have traditionally attributed the film's idiosyncratic tenor and imagery to Fellini, although as film historian Mira Liehm writes in Passion and Defiance, "both of them were intrigued by the Pirandellian unknowable worlds and by the existential quest for identity that Pirandello instilled in his characters...the multiple personalities of...protagonists caught in a tangle of frustrations." Certainly we can find in Variety Lights prototypes for the downtrodden eccentrics and comic grotesques, and the mood of pathetic humor that would fill Fellini's films right up to the recent Ginger and Fred. For the story deals with a motley troupe of small-time vaudevillians led by the incorrigible dreamer Checco (Peppino De Filippo), who fancies himself a great impresario and lothario in one. His fiancée, Melina (Giulietta Masina), bears the brunt of his ridiculous conceit when he betrays her for Liliana, whose star is on the rise. Fellini introduces Masina in a role she would own for years to come: the only member of a pack of clowns who never wears a mask.