Tahimik drew on his own experience, living "in a cocoon of Americanized dreams," for this tale of a village jitney driver, Kidlat, faithful student of Voice of America and its many lessons, and founder of his local Werner Von Braun fan club. Kidlat hopes to become an astronaut, or at very least strike it rich, in the promised land; he makes it as far as Europe (the film was shot in Paris, Germany and the Philippines) where a series of rude and comical awakenings unfolds and Kidlat learns that the modern world is far from paradise. Tahimik, who became a protegé of Werner Herzog in Munich, is a faux naif who uses the genuine naivité of his hero to inscribe a powerful portrait of the American colonialization of Filipino dreams. But like the charming, festooned "jeepny" Tahimik constructed from an abandoned US Army vehicle, the film creates something wholly new and imaginative from the discards of colonialism.