Richter, the Enigma

To say that Sviatoslav Richter was a great pianist is to damn with faint praise. The Ukrainian-born musician spent his early years as an accompanist for amateur opera, beginning his formal education in 1937 with Heinrich Neuhaus at the Moscow Conservatory. Early on he conquered the études of Chopin, then befriended Prokofiev for whom he premiered several sonatas. As Richter's stature grew, so too did his repertoire. Limited in his travels by the Soviets, Richter displayed his exceptional technical capacity and indefatigable musical curiosity throughout Eastern Europe, coming to the United States only once for six legendary evenings at Carnegie Hall in 1961. Richter, the Enigma tells in lush detail, as related by the pianist himself, of his tempestuous career, sharing anecdotes about great composers and musicians such as Shostakovitch and Van Cliburn. Dozens of fiery performances are scattered throughout this portrait, illustrating Arthur Rubenstein's observation, "Richter is a gigantic musician."Director Bruno Monsaingeon has been rendering panoramic portraits of classical musicians and composers for the past twenty-five years. Among his reknowned films are works about Yehudi Menuhin, David Oistrakh, and Glenn Gould, about whom he has also written extensively. Monsaingeon is currently completing a profile of Julia Varady.

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