Roots of New Dance: Germany

The Eternal Circle
Kreutzberg's evocation of dark and abruptly angular gestures, multiple personalities, and the victory of Death show him to be a master of Expressionism.
• Directed by Herbert Seggelke. Photographed by Andor von Barsky. Edited by Irmgard Henrici. Music by Friedrich Wilkens. Masks by Peter Ludwig. Dancer: Harald Kreutzberg. (1952, 12 mins, 35mm, Print from PFA Collection)

Mary Wigman: Four Solos
Regarded as “the fountainhead of modern dance,” Wigman forged an awakened language of German Expressionist choreography.
• Dancer: Mary Wigman. (1929, 10 mins, Print from Dance Film Archive)

Mensch und Kunst Figur (Man and Mask)
Bauhaus don Oskar Schlemmer's innovative concepts ranged from choreography and costume design to the very nature of the performance space itself. This documentary film was made with the artistic advice of Schlemmer's widow and presents a historically faithful reconstruction of works originally choreographed in 1926.
• Directed by Margarete Hasting. (1968, 28 mins, color, Print courtesy of the Goethe Institute, San Francisco)

Triadische Ballet (The Triadic Ballet)
The reconstruction of a dance creation by Oskar Schlemmer, based upon an idea of “The Magic of Three.” Dancers as cones, as cubes, and as spheres serenely whirling and angling and vectoring...a peformance that must be seen to be believed.
• Directed by Franz Schombs. Music by Erich Serstl. (1970, 30 mins, color, Print courtesy of the Goethe Institute, San Francisco)

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