"The last of the Jessie Matthews musicals is often unfairly maligned because it isn't up to the standards of her best work for Victor Saville-but it is, easily, her best film under director Sonnie Hale, a song-and-dance man who was also her husband. Leisurely but lavish in the extreme, it offers some excellent songs and dance routines, and if the overworked and under-talented Barry MacKay is a liability as usual, then he does little real damage and there's compensation in having Alastair Sim in a key supporting role." -William K. Everson