Considered the opening salvo of the New Taiwan Cinema, The Sandwich Man combined three short films into a declaration of intent. Hou Hsiao-hsien's titular tale follows a luckless young father who supports his family by dressing as a clown and wearing an advertising billboard; meanwhile, teenagers hawk Japanese electronics with tragic results in Vicki's Hat, while The Taste of Apples shows a laborer's taste of the American dream. All chronicle the downside of Taiwan's economic “miracle” of the seventies, and stand now as insightful glimpses into a country in the midst of turmoil. Screenwriter Wu Nien-jen, a key figure of the movement, wrote all three of the scripts.