Selections from The San Francisco Video Festival
Terry Fox's first new work in more than three years is also his first color work, produced in Ohio at the facilities of WSU-TV at Wayne State University.
• By Terry Fox. (1980, 30 mins, color)
Characteristic of Howard Fried's video/sculpture and performance activities, Condom is essentially a detail from a larger work, one that can best be described as an arrangement of men and women probing the relationship between sex and economics.
• By Howard Fried. (1979-80, 30 mins, color)
Tony Oursler's video work combines elements of “new image” painting with a satiric narrative that toys with the notion of an alienated narrator.
• By Tony Oursler. (1980, 30 mins, color)
Garage Sale II
As a sequel to their film hit, Garage Sale (1976), Bruce and Norman Yanomoto have produced another in a series of video works (several of which, including Impotent Metaphor, were screened in this series last spring) dealing with changing attitudes toward sexuality and self-image. The tape moves freely between documentary realism and what might be called “extended documentary,” or surrealism.
• By Bruce and Norman Yanomoto. (1980, 35 mins, color)
Plus, new short works The Future and Warm Coffee by Ilene Segalove.