Preceded by short: Lady (Ira Sachs, 1993): Who needs Candy Darling or Holly Woodlawn, when you can have Dominique Dibbell, star of the Five Lesbian Brothers? Using stylistic shifts from '70s verite to home movies, Sachs's portrait of his red-haired "Lady" redefines itself as often as its gender-blending subject. (28 mins, B&W/Color, 16mm, From the artist) With Hurricane Andrew waiting off the Florida coast, a trio of twenty-something crackheads are listless in the eye of their own storm. Strange Weather is about a moment when the roar of the elements becomes an imperceptible din and all belief is suspended. Jan, a paranoid, upper-class pipedreamer; Centipede, a sexually tepid rockhound; and Patty, strung-out on fantasies of the good life, comprise a stuporous enclave, protecting themselves against elemental moral decay from without. But storm warnings on the Tube augur a fearsome change. Shot in pixelvision, Peggy Ahwesh's tainted soap opera is by visual definition a small world. Minute details-a smoldering cigarette, the grout between tiles, particles of kitty litter-are rendered large, but with anemic resolution as though the characters' surroundings have prominence but no meaning. In Strange Weather, Florida is anything but a picture postcard. -Steve Seid