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Our online archive includes many borrowed objects that are part of our exhibition history as well as thousands of works from our permanent collection and documents, articles, books, audio and video recordings, and more from our library.
643Ephemera
untitled flyer (Exhibition of Perfect)
Unknown Country, 1980
(Date notes: 1980)
offset printing on paper, two-sided
postcard to Jim and Morgan Butler from James Lee B...
Unknown Country, 1981
(Date notes: 1981)
offset printing on paper, with postmark and postage stamp, two-sided
invitation (Aspects of Recent Art from Europe)
Unknown Country, 1977
(Date notes: 1977-1978)
red offset printing on paper
Invitation, La Biennale (The Holy Ghost)
Unknown Country, 1975
(Date notes: 1975)
black and red offset printing
James Lee Byars and Mr. North South, a pink satin...
Unknown Country, 1970
(Date notes: 1970)
newspaper clipping with gold foil star
News Release (Art by Telephone)
Unknown Country, 1969
(Date notes: 1969)
typewritten text and ink on Museum of Contemporary Art stationery
To smile for me is what I did every morning uncons...
Unknown Country, 1969
(Date notes: 1969)
typewritten text with gold ink on paper
I have been to and fro between Gautama Buddha and...
Unknown Country, 1969
(Date notes: 1969)
typewritten text with gold ink on paper
Hudson Institute Stationery
Unknown Country, 1969
(Date notes: 1969)
offset printing in brown ink, embossed text on paper
untitled (In quiet places out in the city landscap...
Unknown Country, 1963
(Date notes: 1963-1964)
black text on cellophane, four copies, with one envelope
untitled (The Castelli Gallery...)
Unknown Country, 1963
(Date notes: 1963-1964)
black text on white envelope with thread
invitation design element (Invisible Painting and...
Unknown Country, 1969
(Date notes: 1969)
transparency; and color offset printing on paper
Letter to Tom Marioni from Steve Kaltenbach
Unknown Country, 1970
(Date notes: December 9, 1970)
ink and typewritten text on paper
invitation (A Box Made of Wood Built Upon the Ashe...
Unknown Country, 1987
(Date notes: 1987)
gray cardboard stencil
Morris & Mound, The shovel is mightier than th...
Unknown Country, 1968
(Date notes: 1968)
magazine clipping
receipt (The Return of Abstract Expressionism)
Unknown Country, 1969
(Date notes: 1969)
typewritten text on Western Association of Art Museums stationery (carbon copy)
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