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Our online archive includes many borrowed objects that are part of our exhibition history as well as thousands of works from our permanent collection and documents, articles, books, audio and video recordings, and more from our library.

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2481Painting

Geese

hanging scroll: ink on paper

Horse and Groom

(Date notes: 19th century)

Hanging scroll: ink and color on paper

The Eight Immortals of the Wine Cup

hanging scroll: ink and color on paper

Untitled, one of suit, man on a bull

Unknown Country, 1630

(Date notes: 1630-1680)

ink, gouache, and gold on ivory

Lotus and Shrimp

hanging scroll: ink and color on paper

Monkey Carrying Stick

hanging scroll: ink and color on paper

Poem, Calligraphy

hanging scroll: ink on paper

Red Rhyme

Unknown Country, 1982

(Date notes: 1982)

acrylic and rhoplex on canvas

Untitled (couple embracing, with attendants nearby...

Unknown Country, 2018

(Date notes: n.d.)

Gouache and gold on paper

Osiris

Unknown Country, 2018

(Date notes: 2015)

Oil and epoxy on canvas

Self-portrait

Unknown Country, 2018

(Date notes: 1927)

Oil on canvas on plywood

Joan Miró: Women, Bird and Serpent in Front of the Sun, 1944; oil on canvas; 19 11/16 x 15 1/8 in. (50 x 38.5 cm.); Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, gift of Joseph and Enid Bissett, 1962 (1962.42). © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris 2018.

Women, Bird and Serpent in Front of the Sun

Unknown Country, 1944

(Date notes: 1944)

Oil on canvas

Harvey Quaytman: Zhili-Byli, 1976; acrylic and pigment on canvas; 98 x 40 in.; Harvey Quaytman Trust; courtesy of Van Doren Waxter, New York.

Zhili-Byli

Unknown Country, 1976

(Date notes: 1976)

Acrylic and pigment on canvas

Harvey Quaytman: The Illusionist, 1997; synthetic polymer paint on canvas; 9' 5 1/4" x 9' 5 1/4"; The Museum of Modern Art, New York, gift of Edward R. Broida, 2005.

The Illusionist

Unknown Country, 1997

(Date notes: 1997)

Synthetic polymer paint on canvas

Harvey Quaytman: Second Cupola Capella, 1969; acrylic on canvas; 73 x 157 in.; Harvey Quaytman Trust; courtesy of Van Doren Waxter, New York.

Second Cupola Capella

Unknown Country, 1969

(Date notes: 1969)

Acrylic on canvas

Harvey Quaytman: Araras, 1973; acrylic on canvas; 87 x 87 in. (221 x 221 cm); Harvey Quaytman Trust; courtesy of Van Doren Waxter, New York.

Araras

Unknown Country, 1973

(Date notes: 1973)

Acrylic on canvas

Wassily Kandinsky, Capricious Forms, 1937; oil on canvas; 35 x 45 ¾ in.; Solomon R. Guggenheim Museum, New York; Solomon R. Guggenheim Founding Collection (45.977). © 2018 Artists Rights Society (ARS), New York. Photo: The Solomon R. Guggenheim Foundation / Art Resource, NY.

Capricious Forms

Unknown Country, 1937

(Date notes: 1937)

Oil on canvas

Helen Lundeberg, Self Portrait, 1944. Oil on canvas. 17 × 28 in.; Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, gift of The Lorser Feitelson and Helen Lundeberg Feitelson Arts Foundation. © The Feitelson / Lundeberg Art Foundation. Photo: Peter Jacobs.

Self Portrait

Unknown Country, 1944

(Date notes: 1944)

Oil on canvas

Pablo Picasso, Young Girl in an Armchair, 1917; gouache and black ink over graphite on wove paper; 12 5/8 × 8 1/4 inches; Speed Art Museum, Louisville; purchase, Museum Art Fund (1962.9). © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

Young Girl in an Armchair

Unknown Country, 1917

(Date notes: 1917)

Gouache and black ink over graphite on wove paper

Helen Lundeberg: Microcosm and Macrocosm, 1937; oil on Masonite; 37 x 19 ½ in. Los Angeles County Museum of Art, Los Angeles, purchased with funds provided by Mr. and Mrs. Robert B. Honeyman, Jr. (M.2003.50). © The Feitelson / Lundeberg Art Foundation. Digital Image © 2018 Museum Associates / LACMA. Licensed by Art Resource, NY.

Microcosm and Macrocosm

Unknown Country, 1937

(Date notes: 1937)

Oil on Masonite

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