One of the greatest pleasures we have as film programmers is to honor and share the work our colleagues at other film archives and studios are doing to restore individual films, and thus preserve cinema's heritage. Not just hand-tinted silents from the twenties, but also screwball comedies from the thirties, classic noirs from the forties, Technicolor gems from the fifties-anything in this beloved and fragile medium might require the skilled hand of the film preservationist in order to be shown in its original beauty. We hope you will accept our invitation to experience the rare treat of viewing classic films as they were meant to be seen.
A highlight of our weekend with UCLA Film and Television Archive Preservation Officer Robert Gitt is his critically acclaimed presentation “Charles Laughton Directs The Night of the Hunter,” in which we can see the creative process at work. And if you have never allowed yourself to become immersed in a silent film serial, La Maison du mystère will win you over as it did a skeptical, sophisticated reviewer for Cinémagazine in 1923, who wrote: “With La Maison du mystère, my conversion is complete.”