Los Angeles Plays Itself

5/6/04 to 6/29/04

  • Double Indemnity|June 11|

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Past Films

  • The Bigamist: Free Screening!

    Thursday, May 6 5:30pm
    Ida Lupino's taut, compassionate drama of a salesman commuting between wives in S.F. and L.A.
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  • L.A.X.

    Tuesday, June 1 7:30pm
    Fabrice Ziolkowski relates Southern California geography to the terrain of cinema, presenting "a disabused, skeptical rendering of the city's grittier underside, the noir realities behind the sunshine."-David James. With Gary Beydler short Pasadena Freeway Stills.
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  • The Savage Eye: Free Screening!

    Thursday, June 3 5:30pm
    Introduced by Thom Andersen. Extraordinary images from the seamier side of the real Los Angeles fuse with fiction in this 1958 indie landmark.
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  • Los Angeles Plays Itself

    Thursday, June 3 7:00pm
    Thom Andersen in Person. Thom Andersen's acclaimed film is "an epic, poignant essay account of the intertwined histories of L.A. and Hollywood."-Film Comment. "An exhaustive, but never exhausting, attempt to reconcile the real and reel identities of the world's most photographed metropolis."-LA Weekly. Repeated on June 13.
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  • M

    Saturday, June 5 4:50pm
    Introduced by Thom Andersen. Joseph Losey transposed Lang's Berlin thriller about the hunt for a child killer to L.A.; stunning location shooting reveals a city that's since disappeared. A rare print of this neglected film.
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  • Kiss Me Deadly

    Saturday, June 5 7pm
    Introduced by Thom Andersen. Pretty pow! Mike Hammer and Malibu enter the atomic age in Robert Aldrich's explosive noir. "Aldrich keeps it savagely fast, dark, angular, and edgy."-Village Voice
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  • The Exiles

    Thursday, June 10 7pm
    Kent MacKenzie's semi-documentary film about a subculture of Arizona Indians living on L.A.'s Bunker Hill is "a wrenching document of cultural dislocation."-Thom Andersen. With short Bunker Hill 1956.
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  • Progress

    Thursday, June 10 8:50pm
    Andrew Garza's portrait of a young Mexican American man working as a busboy and aspiring to become a writer extends the tradition of The Exiles into the present.
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  • Double Indemnity

    Friday, June 11 7pm
    "Certainly one of the darkest thrillers of its time: Wilder presents Stanwyck and MacMurray's attempt at insurance fraud as a labyrinth of sexual dominance, guilt, suspicion, and sweaty duplicity."-Time Out
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  • Mildred Pierce

    Friday, June 11 9:05pm
    Joan Crawford won an Oscar for her driven performance in this noir melodrama that exposed the nightmare side of upward mobility and domestic virtue.
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  • Hickey & Boggs

    Saturday, June 12 4:50pm
    The I Spy duo of Bill Cosby and Robert Culp as down-at-the-heels detectives in neo-noir L.A. "Peckinpah or Siegel couldn't have done it any more crisply."-Time Out
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  • Targets

    Saturday, June 12 7pm
    Peter Bogdanovich's meta–drive-in movie exploits the double meaning of "shooting," with Boris Karloff as a horror-movie star suddenly faced with real-life horrors.
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  • Point Blank

    Saturday, June 12 8:50pm
    Lee Marvin in John Boorman's neo-noir, "a fabulous, vicious allegory for modern corporate America, filmed in a dreamlike, sensuous style."-NFT, London
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  • Los Angeles Plays Itself

    Sunday, June 13 5:30pm
    A second chance to catch Thom Andersen's riveting documentary essay on the history and images of Hollywood's biggest backlot: Los Angeles. Please see Thursday, June 3.
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  • Tarzan and Jane Regained...Sort Of

    Tuesday, June 15 7:30pm
    It's a jungle out there: Taylor Mead, Naomi Levine, and a cast of sixties art stars frolic from the Beverly Hills Hotel to the Watts Towers in Andy Warhol's first sound movie. With Warhol short Elvis at Ferus.
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  • A Certain Kind of Death

    Thursday, June 17 7pm
    This unblinking documentary asks: What happens to people who die in L.A. with no next of kin? "Altogether mesmerizing."-L.A. Times
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  • The Loved One

    Thursday, June 17 8:30pm
    Tony Richardson's adaptation of Evelyn Waugh's queasy satire of the Southern California funeral business, proudly advertised as "the motion picture with something to offend everyone!" With Britta Sjogren's short a small Domain.
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  • Crime Wave

    Saturday, June 19 5:30pm
    Andre de Toth's tense, nocturnal crime thriller slithers all the way from Bunker Hill to the Glendale B of A.
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  • Hollow Triumph

    Saturday, June 19 7:05pm
    Paul Henreid and Joan Bennett in what the ads called "the story of a man who murdered himself-and lived to regret it!" John Alton's cinematography draws out L.A.'s low-key menace.
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  • Criss Cross

    Saturday, June 19 8:45pm
    Burt Lancaster and Yvonne de Carlo are caught in a criss-cross of obsession and betrayal in Robert Siodmak's compelling noir.
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  • Model Shop

    Sunday, June 20 5:30pm
    French director Jacques Demy's tale of transient love with its "bittersweet delicacy of tone and acute feeling for place [is] one of the great movies about L.A."-Time Out. With Anouk Aimée as Demy's heroine Lola, now a little older and sadder.
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  • Zabriskie Point

    Sunday, June 20 7:20pm
    Antonioni famously filmed the '60s war between radical and straight cultures in L.A. and Death Valley. "Zabriskie Point contemplates [L.A.'s] ludicrous billboards and jumbled traffic signs with an almost guileless, and certainly infectious, delight."-Monthly Film Bulletin
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  • Los

    Tuesday, June 22 7:30pm
    James Benning's portrait of urban Los Angeles. "Always lurking around in the dark recesses of the American Dream, [Benning's films] are personal and painterly journeys."-Richard Linklater. With Laurel and Hardy short The Music Box.
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  • Bush Mama

    Thursday, June 24 7pm
    Introduced by Billy Woodberry. Haile Gerima's first feature "takes chances and projects an urgent sense of personal necessity...a raw, fragmented study of a Watts welfare mother's political awakening."-Village Voice
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  • Bless Their Little Hearts

    Thursday, June 24 9:15pm
    Billy Woodberry in Person. Set in Watts, this bluesy, heartfelt collaboration between director Woodberry and writer/cinematographer Charles Burnett focuses on a black family in crisis.
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  • The Long Goodbye

    Saturday, June 26 7pm
    Robert Altman's casually ironic, surprisingly apt adaptation casts Raymond Chandler's Philip Marlowe adrift in seventies L.A. With Elliott Gould, Sterling Hayden, and stunning widescreen photography by Vilmos Zsigmond.
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  • The Outside Man

    Saturday, June 26 9:10pm
    Paris hit man Jean-Louis Trintignant is dispatched to L.A., where he discovers that there's a contract out on his own head. The city "is portrayed without false glamour, and it seems that the filmmakers are discovering the city along with their protagonist."-Thom Andersen
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  • Water and Power

    Sunday, June 27 5:30pm
    Film artist Pat O'Neill is very much a Western man, and this one has a narrative "flow" connected to its subject-water and power in the Wild West (and other ambiguous frontiers). With Kenneth Anger's Fireworks.
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  • Chinatown

    Sunday, June 27 7pm
    Roman Polanski remakes L.A. history as noir fiction, placing hardboiled p.i. Jack Nicholson in the rotten middle of a water-and-power play orchestrated by gentleman farmer John Huston. "Undoubtedly one of the great films of the seventies."-Time Out
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  • The Decay of Fiction

    Tuesday, June 29 7:30pm
    Pat O'Neill reanimates the once grand, now decaying Ambassador Hotel with ghosts of Hollywood's film noir past. "Magically accomplished." -Village Voice. With Maya Deren's avant-garde landmark Meshes of the Afternoon.
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