Artist in Person, October 8–10
In his newest film, the autobiographical Cowards Bend the Knee, Canadian director Guy Maddin condemns himself for being weak of heart. Ironic words from an artist who has made a half-dozen extraordinary films-The Saddest Music in the World being only the most familiar-known for their fearless invention. Maddin's delirious films tremble with stylistic excess, giddy artificiality, and an absolute adoration of cinemas past. Though filled with silent-era conceits like gauzy iris effects, extended superimpositions, and distorted perspective, films such as Tales from the Gimli Hospital, Archangel, and Careful present a troubled nostalgia. They are not stories one would wish to inhabit, nor are they wistful paeans to a treacly past. Rather, Maddin scours the image vault of yesteryear, recognizing it as a conduit to psychic agitation-his, most certainly, and ours as well. From these reconnoitered relics, he fashions sardonic, perversely confessional fables of love overwhelmed, of desire's resilient return-all with a fiercely primitive intensity. Join us for a Guy Maddin retrospective, featuring the Bay Area premiere of Cowards Bend the Knee, as well as many rarely seen short films. For our Director's Choice, Maddin has selected nine classic and forgotten films to be screened alongside his own, spectral stand-ins from the past that haunts his creative world.
Steve Seid