“I don't know what truth is. Truth is something unattainable. We can't think we're creating truth with a camera. But what we can do is reveal something to viewers that allows them to discover their own truth.”-Michel Brault
This spring, as part of the ongoing series Documentary Voices, we are pleased to introduce the Quebecois director and cinematographer Michel Brault to a Bay Area audience. Brault's documentary work makes him “one of the key figures in the history of cinema verité and direct cinema worldwide. His cinematography for narrative features has also been unusually restless and inventive. . . . Brault achieved what many documentarists were striving for throughout the fifties: a form of documentary filmmaking not reliant on scripts, dramatic re-creations, staged events, and literary devices, but deriving its form from material gathered in contact with the real events and people portrayed. . . . Brault's documentary camerawork . . . is a distinctly ‘wide angle' style, putting the camera operator in close proximity to his subjects, not separate from, but within the action, and it is this style, derived from a strongly held ethical position, that makes his contributions so distinctive” (Chris Gehman). In the early 1960s, Brault collaborated with his countryman Pierre Perrault on the landmark film Of Whales, the Moon and Men, documenting life on Île-aux-Coudres in the St. Lawrence River. Our series concludes with two more of Perrault's Île-aux-Coudres films, giving viewers a glimpse of another documentary maker whose “significant film legacy is marked by technical innovation, poetic richness, and sensitivity to social change” (David Clandfield).
During his Documentary Voices residency at PFA, Michel Brault will be present at screenings to engage with the audience; he will deliver a lecture on March 9, and lead a workshop the following day for students and others interested in his process.