Who can ever forget Paul Newman as the ornery inmate “cool hand” Luke saying to the sadistic warden, “Wish you'd stop bein' so good to me, cap'n”? Or a hyped-up Al Pacino, fist held high, yelling “Attica, Attica” to the crowd gathered in front of the bank he's just robbed? After two earlier nominations, Frank Pierson, the screenwriter of the above films, won an Oscar for the riveting and nuanced heist film Dog Day Afternoon (1975). This award acknowledged a fast-maturing talent who has penned Cat Ballou (1965), Cool Hand Luke (1967), Presumed Innocent (1990), and many others since. Pierson's scripts are notable for idiosyncratic characters struggling heartily against weighty predicaments. Pierson's preoccupation with authentic and vital social milieu has also led him to direct such engaged films as King of the Gypsies (1978), Citizen Cohn (1992), and Conspiracy (2001).
Former president of the Academy of Motion Picture Arts and Sciences, Frank Pierson will be PFA's inaugural guest for an occasional series, Closely Watched Films, in which notable film artists delve deeply into one of their most masterful movies. The series is based upon Roger Ebert's model, what he calls a “shot-by-shot workshop.” The analysis unfolds as a combination of the filmmaker's personal insights and the audience's copious questions, leading to what some have dubbed “democracy in the dark.” In Pierson's particular case, we'll begin with a screening of Sidney Lumet's Dog Day Afternoon, then return the following day for an hours-long shot-by-shot exploration of this rousing film. Join us as well for the mini-retrospective that follows with screenings of Cool Hand Luke, Cat Ballou, and King of the Gypsies.