Few countries can boast of a filmmaker with the cultural importance of Andrzej Wajda. Beginning in the early 1950s, through a series of masterful films, Wajda played a vital role in Poland's self-awareness as a nation. His stunning works, such as the chill wartime trilogy A Generation, Kanal, and Ashes and Diamonds and the enduring diptych Man of Marble and Man of Iron, combined virtuosic filmmaking, vivid depiction, and uncanny truth-telling that ever so subtly nurtured the possibility of dissent against the communist regime. Trained at the Leninist-inspired film school of Lodz, which also gave us Krzysztof Kieślowski and Roman Polanski, Wajda ironically found the school to be a haven for progressive artistry. Given his stature in the ranks of directors-his second film Kanal won the Jury Prize at Cannes in 1957-Wajda was able to evade the heavy hand of the censors, creating surprisingly candid exposés of contemporary history that also found resonance in the heart of the Polish people. Other works in Wajda's oeuvre fortified a national culture by delving into historical epics and literary classics such as The Promised Land, Ashes, and The Wedding. This series represents three decades of impassioned art-making that found its valued place not only within a national cinema but in a world cinema where it was heartily awarded. Accepting his Academy Award for Lifetime Achievement in 2000, Andrzej Wajda said, “My fervent hope is that the only flames people will encounter will be the great passions of the heart-love, gratitude, and solidarity.” Here's to an old flame.