Pulp fiction was never about technical virtuosity or the well-placed jab. It was more the swift uppercut that sent you reeling. The effect was physical, but if the prose landed properly the impact would follow through to the brain, where it would dazzle as it dazed. One-Two Punch ducks and weaves around four great pulp writers-Fredric Brown, Jim Thompson, Charles Willeford, and Cornell Woolrich-reveling in their adaptations to film. First published in 1926, Woolrich is the punch-drunk veteran of the group. His notable adaptations include Rear Window, The Night Has a Thousand Eyes, and the prototypical noir Phantom Lady. Brown wrote dozens of short stories before settling on sci-fi and crime fiction in the forties. A true curio of its time, his Screaming Mimi stars that just-discovered knockout Anita Ekberg. Thompson came out swinging with a flurry of novels about beautiful, bruised losers. Only two of his books were adapted during his lifetime, so we don't know how he would square off with Série noire or The Kill-Off, contemporary takes on his bare-knuckles approach to life at the bottom. Finally, Willeford would be the most contemporary heavyweight, having published right until his death in 1988. His patently quirky Hoke Moseley series saw four installments, but only one rough-and-tumble movie, Miami Blues, starring Alec Baldwin as a wide-eyed sociopath. Join us for a series of double bills featuring pulp writers who come out swinging.