The Hungarian director Miklós Jancsó has made over forty films from his debut in 1958 to now, but it's his work from the 1960s that continues to astonish viewers and inspire other filmmakers. Made up of complicated long takes that sinuously weave across landscapes and among groups of people, these works are visual ballet and political analysis in one, fluid and sensuous yet grounded in a sharp critique of the repressive climate of Cold War–era Hungary. Set in the nation's violent past, their narratives tell of revolution, massacre, and betrayal, metaphors for contemporary oppression; but their visuals, ever flowing, never stopping, create an oppositional force of constant movement, resistance, and life. To see these films, presented here in new prints, is to become entranced in the motion of the camera, and in the possibilities of the cinema.