In this small series, we bring together works by three women filmmakers exploring personal and global histories through the film essay form. They variously integrate interviews, archival material, performance, and incidents from daily life into films with striking visual approaches, taking us to Hungary, Romania, the reunified Germany, and Vietnam. Two assemble fragments of information regarding relatives, creating portraits of a bank-robbing grandmother and a cousin who translated Winnie the Pooh into Latin. We are delighted that all three filmmakers will be in person to discuss their work and their approach to nonfiction filmmaking.