Mexico works in century cycles. First there was the call for independence from colonial Spain, declared by Father Hidalgo in 1810. One hundred years later, Francisco Madero would prompt an uprising against the autocratic Porfirio Diaz. This tumult encompassed seven years of strife, producing famed revolutionaries Pancho Villa and Emiliano Zapata, and between them Presidente Carranza and his Constitutional Army. This historical period, rife with heroics, betrayal, and sacrifice, inspired numerous Mexican films, but none better than Fernando de Fuentes's Revolution Trilogy masterfully made in the 1930s, a decade still reeling from the rebellion. De Fuentes's great triptych relies on not-so-simple citizens drawn to revolution as an act of bravery or commitment or, in some cases, treachery. But revolution is rendered, above all, as the triumph of clear-eyed men, not historical abstraction. A rare screening of José Bolaños's La soldadera (1966) illustrates the oft-neglected presence of women on the front lines of revolution. Here, the legendary Sylvia Pinal (as Lázara) takes up arms when her husband has fallen. PFA's own print of Paul Leduc's Reed: Insurgent Mexico (1971) traces the political conversion of John Reed, an American journalist, as he traverses northern Mexico with Pancho Villa's army. Five films, one revolution. Viva México.