One of the most gifted filmmakers to emerge during the French New Wave, Jacques Demy (1931–1990) created a fascinating body of work, characterized by its bittersweet sensibility. Masterfully choreographed camera movements and a penchant for colorful decorative elegance are trademarks of Demy's cinematic style. At the center of many of his films is music: Demy's frequent collaborations with composer Michel Legrand give another distinctive quality to his melancholic tales of love. From the spectacular opening glissando of Bay of Angels, in which the electrifying score accompanies a tracking shot along the French Riviera, to the sung-through recitative of The Umbrellas of Cherbourg or the expressive dance numbers of The Young Girls of Rochefort, Demy's cinema is one of harmony and grace. His use of location shooting-in his hometown of Nantes, Cherbourg, Rochefort, and, remarkably, Los Angeles-reveals his love for locale. Demy's world is steeped in tender emotion, his eye for cinema an extension of his love of life.
This is the largest Demy series we have ever mounted, and includes his early shorts from the fifties and several of his lesser-known works from the seventies and eighties as well as his best-known films, several presented in restored versions. Essential to this series are three films directed by AgnèsVarda, made shortly after Demy's death, in which she offers a privileged perspective on her husband's aesthetic sensibilities and achievements.